About The Program
Ages 18-24 || Accepting strings, woodwinds, and piano applications only.
Full Session: May 31 – June 26
Session 1 Only: May 31 – June 12
Session 2 Only: June 14 – June 26
During two or four weeks of intensive study, students receive a music education that is unmatched anywhere in the country in breadth, depth, and value. In addition to two weekly private lessons, students will receive performance opportunities, participate in special topics seminars, and delve into advanced chamber music with coaching by world-class musicians, including an opportunity to be coached by a founding member of the Takács Quartet.
- Optional interactive panel discussions with music industry leaders
Mock auditions offer students feedback from seasoned orchestral musicians
- A year-round mentorship program with professionals from other fields for whom music is an integral part of their lives.
- String Quartet Intensive: During Session 1, string quartets will study with distinguished faculty members Károly Schranz and Si-Yan Darren Li. Students need not be part of a pre-formed quartet to participate in this program. Please indicate your interest in this program on your application form.
- Option to participate in Concerto Competition. The winner will receive $500. See tab below for more information.
Tuition and Fees
Tuition (includes lodging and meals)
Full Session: $4,250
Half Session: $2,125
Piano Usage Fee
Only for students studying piano: $150
Secondary Instrument Lessons (Full Session): $350
Secondary Instrument Lessons (Half Session): $175
Bedding and bath linens (includes twin fitted and flat sheets, pillowcase, blanket, and a bath towel): $85
- Twice-weekly 60-minute private lessons
- Studio classes
- Concerto competition (pre-screening by recorded video submission, finals onsite)
- Masterclasses featuring internationally renowned artists
- Score study: in-depth work on chamber and orchestral scores to prepare the student for auditions and performances
- Mock auditions
- Lectures and workshops by faculty and guests
- Professional development seminars
- Special topics seminars
- Ample performance opportunities for peers and virtual audience
- Music technology instruction aimed at expanding understanding of both audio and visual hardware and software that can enhance the musician’s readiness for new learning and performance parameters
- Optional wellness activities including yoga, hiking, Alexander Technique, and meditation
- Optional secondary instrument lessons
- Participation in a professional mentorship program that extends beyond this summer program
Audition Requirements & Deadlines
College Intensive applicants must submit a recorded audition to complete their application for admission and be considered for merit scholarship or other financial aid. Audition should consist of two contrasting pieces or movements that best represent the applicant’s level and accomplishment. Please submit video recording or a YouTube link, audio-only recordings will not be accepted.
March 1, 2022
After March 1, applications will only be considered on a space-available basis. Call us at 303-449-1106 to check availability.
Financial Aid Information
All students who complete an application will be considered for merit scholarships.
Need-based Financial Aid
Rocky Ridge Music offers need-based financial aid in the form of student employment (counselor and work-study positions) to students accepted into the College Intensive’s full session (4-week) program. To apply for need-based financial aid, complete the Financial Aid form on the College Intensive application, upload an audition recording or link to a recording, and submit the appropriate tax documentation.
Students listed as dependents must submit their parent(s)/guardian’s most recent income tax return. Financial aid applications will not be considered without this information and priority is given to complete applications (including attachment and audition) submitted by March 1, 2022.
Counselors are College Intensive (full session) students who supervise, reside with, and mentor up to eight students under age 18 during the programs following the College Intensive. Counselors are not on duty during the four weeks of the College Intensive, May 31 to June 26. Students may be eligible for both a counselor position and a work-study position in 2022. You may also apply for more than one counselor position. Applicants must be age 20 or older on the first day of their counselor duty.
- Junior Artist Immersion: $1,750 (June 26 to July 10).
- Up to 8 positions available.
- Jumpstart: String Fundamentals: $750 (July 11 to July 17).
- Up to 5 positions available.
- Música Mariachi: $750 (July 18 to July 24).
- Up to 5 positions available.
- Jazz Program: $750 (July 25 to July 31).
- Up to 5 positions available.
Work-study recipients are College Intensive students who are given additional job responsibilities that may include janitorial, kitchen crew, stage set-up, or grounds upkeep. Work-study positions are paid hourly; students can expect to work approximately 2 hours per day during the College Intensive and more during the other programs. You can apply for one or more positions. Applicants must be age 18 or older on the first day of their work-study duty.
Work-study Positions (Food and Housing Provided):
- College Intensive Work-Study: $15/hr up to $850 gross earnings, May 29 (arrival before 2 pm) to June 26 (departure after 2 pm).
- 4 positions available.
- Junior Artist Immersion Work-Study: $15/hr up to $850 gross earnings, June 26 (you will already be on campus) to July 11 (departure after 2 pm).
- 1 position available.
- Jumpstart: String Fundamentals Work-Study: $15/hr up to $500 gross earnings, July 11 (by 8 am) to July 18 (departure after 2 pm).
- 1 position available.
- Mariachi Work-Study: $15/hr up to $500 gross earnings, July 18 by 8 am to July 25 (departure after 2 pm).
- 1 position available.
- Jazz from A to Z Work-Study: $15/hr up to $500 gross earnings, July 25 by 8 am to August 1 (after 2 pm).
- 1 position available.
Shortly after notification of financial aid award, counselors and work-study students will receive a detailed agreement specifying arrival and departure times for their choice of work schedule. We highly recommend you do not make travel arrangements without consulting the financial aid award agreement and/or consulting with our office at 303-449-1106. All amounts listed represent total gross income before any applicable taxes.
Please Consult IRS Guidelines for Financial Independence
If you do not meet all the guidelines for financial independence based on the IRS guidelines, please submit a copy of your parent/guardian’s most recent federal income tax return with your application.
We are pleased to announce our 2022 Concerto Competition! Participants will compete for a $500 winning prize, and an honorable mention will receive $250. Please note that the Concerto Competition is only open to students in the full 4-week session of the College Intensive.
- One movement, no longer than 15 minutes long, with a piano reduction that is readily available.
- First Round: Competitors will send a recording (with or without piano accompaniment) by deadline of May 1, 2022.
- Final Round to take place on campus, accompanied by piano, during the third week of the College Intensive.
If you are interested in participating, please indicate your interest on your application form. Any questions can be directed to our office: 303-449-1106 or RRMC@RockyRidge.org.
March 1, 2022
How to Apply
Applications for Summer 2022 are available now. Click the button below to start your application. Any questions? Let us know at RRMC@RockyRidge.org or 303-449-1106.
Claudia Anderson is known for her originality and brilliance as a solo and chamber music performer across the U.S. She is a founding member of the innovative flute duo ZAWA! and of New Prairie Camerata, a chamber initiative that showcases a community’s historical and architectural gems through performance and stimulates community participation. A Fulbright scholar to Italy, Ms. Anderson was subsequently principal flute of the Orchestra del Teatro Massimo in Palermo. She is presently principal flute with the Waterloo/Cedar Falls Symphony in Iowa, a guest artist and clinician at many colleges and music series around the country, and on the faculty of Grinnell College. She serves also as flute faculty and program director during the summers at Rocky Ridge Music (www.rockyridge.org). Equally at home in both the standard and contemporary repertoire, Dr. Anderson has commissioned and arranged works for solo and duo format and has moved into composition more recently. Writing about artistry in flute playing and chamber music as community is a current passion, as well as riding her Triumph Bonneville motorcycle. Other faculty positions have included the Universities of Iowa and Northern Iowa, Ithaca College, and the University of California at Santa Barbara. National Flute Association positions have included Coordinator for the Chamber Music Competition and adjudicator for HS Soloist, Young Artist, and Convention Performers Competitions. Claudia’s artistic and pedagogical inspiration came from the following great artists who were her teachers: Severino Gazzelloni, Thomas Nyfenger, Geoffrey Gilbert, William Bennett, and Peter Lloyd. Her recorded solo and duo performances can be found on the Centaur, Neuma and CRI labels. Her solo CD, American Flute (Centaur, 1994), was awarded five stars from Classical Pulse. Duo CDs include ZAWA! (Neuma, 2001), ZAWA2 (ZawaMusic, 2006) and Duos for Flute and Oboe (Centaur, 2005).
Principal Oboist of the Colorado Symphony since 1993 and Senior Instructor of Oboe at the University of Colorado at Boulder, Mr. Cooper has also held positions as Associate Principal Oboist of the San Francisco Symphony and Principal Oboist of the Hong Kong Philharmonic. He has performed and taught master classes throughout the United States as well as in Asia and Europe.
Peter Cooper strongly believes in expanding the solo repertoire for the oboe. He has commissioned and premiered five oboe concertos. In 2019 he will play a new concerto by Kevin Puts which was co-commissioned by the Colorado and Baltimore Symphonies. In 2000 he premiered the David Mullikin Oboe Concerto with the Colorado Symphony and recorded it in 2001 with Sir Neville Marriner and the Academy of St. Martin in the Fields in London for Summit Records. The disc also includes the Richard Strauss Oboe Concerto. The BBC Classical Music Magazine in its review of this CD praised Mr. Cooper as, “a first-rate soloist”. He previously recorded Swiss composer Heinrich Schweizer’s Oboe Concerto with the London Philharmonic Orchestra. He has also premiered concertos by Bill Douglas and Gregory Walker with the Colorado Symphony and Chen Gang with the Hong Kong Philharmonic.
In 2000, Summit Records released Mr. Cooper’s Whispers of the Past, a collaboration with harpist Marcia LaBella that garnered critical acclaim. Classical London Magazine lauded the CD as “A well recorded disc with stylish and charming performances.” The American Record Guide wrote, “Mr. Cooper has my favorite type of oboe sound: sweet, not too harsh, no sharp edges, just a melting soft pastoral tone.” Excerpts from this CD are frequently heard on National Public Radio.
Mr. Cooper has been invited to perform as Guest Principal Oboist with many noted ensembles. He has played many times with the St. Paul Chamber Orchestra and has recorded and toured with them. Others include the Boston, Atlanta, Seattle, Houston, Milwaukee and San Diego Symphonies, and the Israel Chamber Orchestra.
A prizewinner in the Tokyo International Oboe Competition, he has been soloist with orchestras in Japan, China, Hong Kong, Taiwan, Thailand and England, as well as with the San Francisco Symphony.
He frequently performs and teaches master classes at International Double Reed Society conventions. He has been a Principal Oboist of the Grand Teton Music Festival and has performed as Principal Oboist in the Oregon Bach Festival, St Barth Music Festival, El Paso Chamber Music Festival, and Strings in the Mountains.
Peter Cooper plays on Marigaux oboes; Marigaux, Paris, has sponsored him in a series of master classes and recitals throughout the United States and in Asia.
A 1981 graduate of Northwestern University, Mr. Cooper studied with Ray Still and Gladys Elliot.
Jason Lichtenwalter holds the Oboe/English Horn position with the Colorado Symphony in Denver and the Britt Festival Orchestra in Jacksonville, Oregon. Previous positions include Principal Oboe with the Dallas Opera Orchestra and East Texas Symphony as well as Associate Principal/2nd Oboe and Acting English Horn with the Honolulu Symphony. He has also performed with the Dallas Symphony (Dallas and Vail), Fort Worth Symphony, Naples Philharmonic, Colorado Music Festival Orchestra, and Colorado Bach Ensemble, among many others. As a featured soloist, he has appeared on oboe, oboe d’amore, and English horn. He served as adjunct faculty at the University of Colorado-Boulder and the University of Denver. Jason earned oboe performance degrees from the Oberlin Conservatory of Music and Eastman School of Music. His primary teachers were James Caldwell and Richard Killmer, and he pursued post-graduate studies with Elaine Douvas, Robert Walters, Mark Ackerman, and David Matthews. In October 2020, he founded Peak Reeds, an online reed and cane shop catering to oboists and English hornists at altitude.
David Shea currently serves as an Assistant Professor of Clarinet at Texas Tech University, and is also principal clarinet in the Abilene Philharmonic and Lubbock Symphony Orchestras. He has earned degrees from the Oberlin Conservatory (BM), the University of Illinois (MM) and Indiana University (DM). His teachers have been Howard Klug, Lawrence McDonald, Eli Eban, James Campbell and Ronald Phillips. Shea has performed as a soloist and chamber musician throughout the United States, France, Belgium, Germany, Austria, Brazil and Chile. As a member of Trio Montecino, he recently toured in Belgium, Germany, and the United States to promote the release of their second CD, Nuevo Sonido: Latin- American Trios, which is available on the Eroica Classical Recordings label. Shea has performed at the International Clarinet Association Clarinetfests in Chicago, Columbus, Salt Lake City, Atlanta and Kansas City, as well as the OU Clarinet Symposium, University of Montevallo Clarinet Symposium and most recently, at Klarinetstage, Belgium.
Shea was a finalist in the Boosey and Hawkes North American Clarinet Competition and was a concerto competition winner at the Oberlin Conservatory and the Colorado Springs Summer Music Festival. In addition to his solo and chamber music performances, Shea has performed as an orchestral musician with the Indianapolis Symphony, Fort Wayne Symphony, Columbus Philharmonic, Champaign-Urbana Symphony and the Sinfonia de Camera. He has also been involved in numerous CD recording projects for Crystal, Naxos, Delos, Opus One, Indiana University Recordings and Hal Leonard Productions where he worked with such artists as Eugene Rousseau and the Indiana Clarinet Trio. As a teacher, Shea has given master classes throughout the US and South America. He has been invited twice to teach as a sabbatical replacement at the prestigious Jacobs School of Music at Indiana University. He has also participated in a Big 12 Fellowship grant with Dan Silver at CU-Boulder, where innovative teaching pedagogies were discussed and demonstrated during week-long residencies at both campuses. In 2005, Shea was awarded the Texas Tech University President’s Excellence in Teaching Award, and most recently, was inducted into the Texas Tech University Teaching Academy. David Shea is a Buffet-Crampon USA Performing Artist and is the Texas State Chair for the International Clarinet Association.
Noted for his “bubbling, charming” playing, Rémy Taghavi is a highly sought-after bassoonist and educator based in the Northeast, and has performed, toured and recorded with numerous groups across North America, South America, and Asia. Rémy has held the position of principal bassoon with the New Haven Symphony Orchestra since 2018 and has been a guest artist with the Las Vegas Philharmonic and the American Youth, Cape, and Princeton Symphonies. He has previously been an associate member of the Civic Orchestra of Chicago and a substitute with Symphony in C, and has played under conductors including Sir Simon Rattle, Alan Gilbert, and James Conlon. Mr. Taghavi has performed as a soloist with the Stony Brook Symphony Orchestra and the New York Symphonic Ensemble at Fukuoka Symphony Hall and the United Nations.
As a chamber musician, Rémy has given performances at the Banff Centre, Domaine Forget, Bravo! Vail, the Atlantic Music Festival, FIMAC, Montréal/New Musics Festival, and the Annapolis Chamber Music Festival, of which he is co-director and founder. Mr. Taghavi is the bassoonist in Frisson, the New York-based nonet whose performances have been called “musical perfection” (Royal Gazette, Bermuda). He is also a member of SoundMind, a modern wind quintet which performs music by living composers alongside re-imagined works from across an expanse of style, genre, and instrumentation. Rémy is an alumnus of Ensemble Connect, a chamber music and career-development fellowship of Carnegie Hall and The Juilliard School.
A passionate educator, Mr. Taghavi is currently Assistant Professor of Bassoon at the University of Massachusetts Amherst and faculty at the Rocky Ridge Music Center’s Young Artist Seminar (Colorado). He was an instructor in the Evening Division at the Juilliard School from 2014 to 2019. He has given guest masterclasses at colleges and universities throughout the United States and abroad. Rémy graduated magna cum laude from the University of Southern California, received a Master’s degree from the Juilliard School, and recently completed his doctorate at Stony Brook University. His primary teachers include Frank Morelli, Judith Farmer, and Norbert Nielubowski.
Dr. John McGuire has a vast array of performance and teaching experiences. He has performed with many orchestras around the country, most notably the Dallas Symphony Orchestra, the Dallas Opera, the Fort Worth Symphony, the New World Symphony in Miami, FL, the Civic Orchestra of Chicago, the Illinois Symphony Orchestra, and the Florida West Coast Symphony.
As a soloist he was awarded the title Yamaha Young Artist, has been a finalist in the American Horn Competition, won several regional solo competitions and has appeared as a guest artist at many workshops, festivals and schools across the United States. With several world-premiere performances to his credit, John is a passionate proponent for the creation of new solo horn literature as well as a sought-after contemporary music performer.
Prior to serving on the faculty of CSU, John served as adjunct instructor of Horn at the University of Alabama, Mississippi State University, Appalachian State University, Texas Women’s University, the Music Institute of Chicago, and Florida A&M University. In addition, John maintained a private studio of over fifty students in the Dallas/Fort Worth area public school systems for many years where he was also a prominent clinician and adjudicator. Today, many of John’s former students have moved into successful careers as music educators in reputable school systems and have attained positions as orchestral performers in premier ensembles such as the Detroit Symphony Orchestra.
John received his D.M.A. and B.M. in Music Performance from the University of Alabama, his M.M. in Performance from Florida State University, and a Performer’s Certificate from the Chicago College of Performing Arts at Roosevelt University in Chicago. His major professors were Charles Skip Snead, William Capps, and Dale Clevenger.
Eastman School of Music
Pre-College Division of the Juilliard School
Alexander Shuhan, Professor of Horn, joined the Ithaca College faculty in 1998. He is the principal horn of the Binghamton Philharmonic Orchestra and the Fort Smith (AR) Symphony Orchestra and was principal horn of the Cayuga Chamber Orchestra from 2000–2010. His group, the Shuhan-Luk Trio, has performed music for flute, horn and piano in concerts throughout the U.S. and has been featured at International Horn Symposium and National Flute Association conventions. He has taught on the faculty of the Sewanee Summer Music Festival, the Ithaca College Summer Music Academy and served as Valade Instructor of Horn at the Interlochen Summer Arts Camp. He performs frequently with the Rochester Philharmonic Orchestra and has played with the Syracuse Symphony Orchestra, the Skaneateles Chamber Music Festival and the Northeast Pennsylvania Philharmonic. As a founding member (1993), hornist, pianist and composer of Rhythm & Brass, he has performed extensively throughout the United States, Canada, Japan and the Middle East.
He was a member of Dallas Brass from 1985–1993. As a member of Rhythm & Brass and Dallas Brass, he has appeared as soloist with numerous U.S. symphony orchestras, including those in Dallas, Detroit, Milwaukee, Rochester, Syracuse, Tucson, Phoenix, Jacksonville, Oregon, Denver and Grand Rapids. He studied at Southern Methodist University with Greg Hustis, the Eastman School of Music with Verne Reynolds, and the Pre-College Division of the Juilliard School with Harry Berv. Other teachers include Marvin Howe, Nancy Cochran, John Jacobsen and Henry Babcock. Shuhan has recently completed Book One and Book Two training in the Suzuki Horn method.
M.M. Yale University
D.M.A. Stony Brook University
Highly sought after as musician with a wide range of styles and interests, violinist Dawn Dongeun Wohn has performed throughout North and South America, Asia and Europe. She has appeared as a soloist with orchestras such as the Korean Broadcasting Symphony and the Aspen Conducting Orchestra, performed recitals across the world including Carnegie Weill Hall, Alice Tully Hall in Lincoln Center, Merkin Hall, and Jordan Hall. Her diverse interests have also led her to performances at Electronic Music Midwest, Radio City Hall and international tours with DJ Kid Koala.
Dawn began her musical studiies at The Juilliard School’s Pre-College Division as a full scholarship student of the renowned pedagogue Dorothy DeLay and continued her undergraduate studies at Juilliard with Hyo Kang. She pursued a Master of Music and an Artist Diploma at Yale University and completed her Doctor of Musical Arts degree at Stony Brook University under the direction of Philip Setzer of the Emerson Quartet.
As an active chamber musician, Dawn has performed at International Musician’s Seminar Prussia Cove in England, Great Mountains Music Festival in South Korea, The Banff Centre, and has held fellowships at Music@Menlo, Aspen Music Festival and School, Norfolk Music Festival, Sarasota Music Festival, as well as the Juilliard School’s Chamberfest and the New York String Seminar. Notable collaborations include members of the Emerson Quartet, Miami String Quartet, Afiara String Quartet, Colin Carr, Roberto Plano and Christina Dahl.
Currently, Dawn holds the position of String Division Chair, Assistant Professor of Violin at Ohio University’s School of Music. As a guest clinician she has presented at schools such as Ithaca College, CUNY, Bowling Green State University, Kansas University, East Tennessee State University, and has been on faculty of festivals such as the Académie Anglicorde in France, International Music Festival of the Adriatic in Italy, and Festival de Febrero in Mexico. Her debut album featuring works diverse works by female composers will be released in early 2019 by Delos Records.
David Rose was born in Regina, Saskatchewan and there began his early musical education and violin study. At the suggestion of his first teacher, Ernest Kassian, David switched to the viola at age 12 and immediately enjoyed the deep, warm sound of this new instrument. A few years later, he became a member of the Regina Symphony Orchestra. David’s principal teachers have been Gerald Stanick at the University of British Columbia, and Atar Arad at Indiana University, both of whom guided him to a greater love for music and the viola. His interest in orchestral and chamber music led to association with the Vancouver Symphony, the CBC Vancouver Orchestra, and many chamber music series from coast to coast in Canada, including the Vetta Chamber Ensemble in Vancouver, the Ottawa Chamber music Festival and the summer festival of New Brunswick. Upon graduation, David was awarded the position of associate principal viola of the Vancouver Symphony. He served for eight seasons as principal viola of the Kitchener-Waterloo Symphony and violist with the Canadian Chamber Ensemble, as well as teaching at the University of Waterloo. Also greatly interested in performance on period instruments, David studied baroque viola with John Sawyer and Stanley Ritchie. He was a member of the Pacific Baroque Orchestra and performs and tours frequently with Toronto’s Tafelmusik. Most recently, David served as the acting assistant principal viola of the San Francisco Symphony, enjoying involvement in a European tour and the Grammy-winning Mahler symphony recording cycle.
Si-Yan Darren Li
Cellist Si-Yan Darren Li made his professional debut at the age of 9 and has since gone on to an international career as a recitalist, chamber musician and teacher. He has appeared in solo and chamber music performances at Carnegie Hall’s Stern Auditorium, Weill Recital Hall, Alice Tully Hall, Merkin Hall, 92nd Street Y, Kennedy Center, Victoria Concert Hall in Singapore, Izumi Hall in Osaka, Suntory Hall in Tokyo and National Concert Hall in Taipei. Li has also performed in many renowned music festivals, including the Ravinia Festival, Kronberg Academy Cello Festival and Verbier Festival. An active chamber musician, he has collaborated with such esteemed artists as Emanuel Ax, Miriam Fried, Ilya Kaler, Lang Lang, Cho-Liang Lin, Thomas Quasthoff, Alexander Toradze and members of the Juilliard, Takács, Cleveland, Casals and Ébène quartets. His recording of the Bartók string quartets with the Euclid Quartet was highly praised by Gramophone magazine and American Recording Guide.
Having previously taught at Indiana University and University of Central Florida, Li joined the faculty of the Cleveland Institute of Music in 2017. As a dedicated pedagogue, his student ensembles have won top prizes in major international and national competitions, including the Banff International String Quartet Competition, Bordeaux International String Quartet Competition, Melbourne International Chamber Music Competition, Wigmore Hall International String Quartet Competition, Fischoff Chamber Music Competition and Coltman Chamber Music Competition.
Li holds a Bachelor of Music degree from The Juilliard School and a Master of Music and Artist Diploma from the Peabody Institute. In addition to Orlando Cole, his principal teachers include Fred Sherry, Harvey Shapiro, Alan Stepansky and David Hardy. Li is a prizewinner in numerous prestigious competitions, including the Tchaikovsky International Competition in Moscow and Young Concert Artists International Auditions in New York. He is also a recipient of the American Masterpieces grant from the National Endowment for the Arts. Li plays a 1773 cello by Giovanni Battista Guadagnini, generously on loan from the private collection of Mr. and Mrs. Rin Kei-Mei.
David Korevaar, whose playing has been called a “musical epiphany” by Gramophone Magazine, performs an extensive repertoire as a soloist and chamber musician around the US and internationally. In addition to his teaching at the University of Colorado Boulder, where he holds the Peter and Helen Weil fellowship in piano and where he has been named Distinguished Research Lecturer (2016), he is an active performer and recording artist. In the spring of 2016, Korevaar spent two weeks teaching in Kabul at the Afghanistan National Institute of Music (ANIM). The 2016-2017 season also included two tours to Brazil and a recital and master classes in Mexico City. In Fall 2017, he conducted and performed two of Mozart’s piano concertos in Boulder, bringing home a skill picked up in Japan and Brazil over the last several years. Korevaar’s extensive discography includes numerous solo and chamber music recordings, most recently a recording of Lowell Liebermann’s Piano Music since 2000 and a world premiere recording of piano music by the early twentieth-century Italian composer Luigi Perrachio. Other recent releases include a disc of chamber works by Tibor Harsányi with Charles Wetherbee (Naxos), and a Chopin recital on MSR, Hindemith’s three Piano Sonatas and Suite “1922” (MSR) and two Schubert Sonatas (MSR). In addition, his collaboration with members of the Takacs Quartet has resulted in a number of releases, including a disc of Brahms with violist Geraldine Walther and cellist Andras Fejer (MSR), two Beethoven Violin Sonatas with violinist Edward Dusinberre (Decca), and Hindemith’s music for Viola and Piano with Geraldine Walther (MSR). Korevaar also writes on various musical topics, with a focus on French music.
M.M. The Juilliard School
D.M.A. Stony Brook University
Lauded for “superb playing” and “poised, alert musicianship” by the Boston Globe, and labeled “definitely a man to watch” by London’s The Independent, American pianist Spencer Myer is one of the most respected and sought-after artists on today’s concert stage.
Adding to his North American credentials, Spencer Myer includes in his current season returns to the Boise and Northeastern Pennsylvania Philharmonics and the Traverse Symphony Orchestra. His solo recitals and chamber music collaborations take him throughout the United States, including an appearance with Jamie Bernstein at Washington, D.C.’s National Museum of Women in the Arts for a special performance of Leonard Bernstein’s complete “Anniversaries”.
Spencer Myer’s orchestral, recital and chamber music performances have been heard throughout the United States, Canada, Europe, Africa and Asia. He has been soloist with The Cleveland Orchestra, the Boise, Dayton, Rhode Island, Cape Town, Johannesburg and Louisiana Philharmonic Orchestras, Pro Arte Chamber Orchestra of Boston, the Baton Rouge, Indianapolis, Knoxville, New Haven, Omaha, Phoenix, Santa Fe and Tucson Symphony Orchestras, Indianapolis Chamber Orchestra, Mexico’s Orquesta Filarmónica de Jalisco and Beijing’s China National Symphony Orchestra, collaborating with, among others, conductors Michael Christie, Leslie B. Dunner, Robert Franz, Bernhard Gueller, Jacques Lacombe, Jahja Ling, Timothy Muffitt, Yannick Nézet-Séguin, Kevin Rhodes, Lucas Richman, Steven Smith, Thomas Wilkins and Victor Yampolsky. His 2005 recital/orchestral tour of South Africa included a performance of the five piano concerti of Beethoven with the Chamber Orchestra of South Africa, followed by return orchestra and recital tours in 2008, 2010, 2012, 2015 and 2018.
Spencer Myer’s recital appearances have been presented in New York City’s Weill Recital Hall, 92nd Street Y and Steinway Hall, Philadelphia’s Kimmel Center and London’s Wigmore Hall, while many of his performances have been broadcast on WQXR (New York City), WHYY (Philadelphia), WCLV (Cleveland) and WFMT (Chicago). An in-demand chamber musician, he has appeared for five summers at the Lev Aronson Legacy Festival in Dallas with cellists Lynn Harrell, Ralph Kirshbaum, Amit Peled and Brian Thornton, and has enjoyed a recurring partnership with the Miami String Quartet at the Kent/Blossom Music Festival. Other artistic partners include clarinetist David Shifrin, sopranos Nicole Cabell, Martha Guth and Erin Wall, the Jupiter and Pacifica string quartets and the Dorian Wind Quintet.
Spencer Myer’s career was launched with three important prizes: First Prize in the 2004 UNISA International Piano Competition in South Africa, the 2006 Christel DeHaan Classical Fellowship from the American Pianists Association and the Gold Medal from the 2008 New Orleans International Piano Competition. He is also a laureate of the 2007 William Kapell, 2005 Cleveland and 2005 Busoni International Piano Competitions. He enjoys an esteemed reputation as a vocal collaborator since winning the 2000 Marilyn Horne Foundation Competition. Mr. Myer was a member of Astral Artists’ performance roster from 2003-2010.
An enthusiastic supporter of the education of young musicians, Spencer Myer has served as a guest faculty at the Oberlin and Baldwin-Wallace Conservatories of Music, and in the fall of 2015, he was appointed Artist-Teacher of Piano and Collaborative Piano at Boston’s Longy School of Music of Bard College.
Spencer Myer’s debut CD for harmonia mundi usa – solo music of Busoni, Copland, Debussy and Kohs – was released in the fall of 2007 to critical acclaim by Fanfare and Gramophone magazines. Mr. Myer has released four CDs on the Steinway & Sons label since 2017: Piano Rags of William Bolcom, and three discs with cellist Brian Thornton encompassing cello/piano repertoire of Brahms, Debussy and Schumann.
Spencer Myer is a Steinway Artist.
Andrew Campbell has established himself as one of the most versatile collaborative pianists in the United States with a performing career that has taken him to six continents. Recent appearances include a South African concert tour, highlighted by a recital at the Johannesburg International Mozart Festival; a performance of Bach’s keyboard concerto in d minor with the Chintimini Festival Chamber Orchestra; performances at the Miklin Festival Internacional in Bogotá, Columbia; and the world premier of Damian Montano’s Disappearing Moon at the 2017 International Double Reed Society Conference. He has collaborated in recitals with such diverse artists as violinist Chee-Yun, double bassist Catalin Rotaru, flutist Thomas Robertello, bassoonist Judith LeClair, trombonist Charles Vernon, saxophonist Timothy McAllister, composer Bright Sheng, and tenor Anthony Dean Griffey. He served as opera rehearsal pianist for distinguished conductors André Previn, Plácido Domingo and Heinz Fricke, and worked closely with the composer Carlisle Floyd on several productions of his operas. Chamber music performances have taken him to important venues including Weill Recital Hall at Carnegie Hall, where The Strad and Strings magazines both hailed his performance as “excellent.” His partnership with violinist Katherine McLin in the McLin/Campbell Duo has led to performances on numerous recital series throughout the United States and Europe. He has recorded several CDs on the Summit and Centaur labels, and his performance of the Rachmaninoff cello sonata with bassist Catalin Rotaru was cited for special praise by Bass World and XBass, two leading international journals. He has appeared as collaborative pianist at numerous international conferences, including the National Flute Association Convention, MTNA, the Society for American Music, the International Viola Congress, and multiple appearances at the International Double Reed Society, for which he has served as official pianist. Dr. Campbell received the Doctorate in Piano Chamber Music and Accompanying from the University of Michigan where he studied with the renowned collaborative artist Martin Katz.
Dr. Campbell is currently Director of the Collaborative Piano Program and Associate Director for Graduate Studies at the Arizona State University School of Music. He recently completed his 8th season as Assistant Director and Director of Chamber Music for the Saarburg Serenaden Music Festival (Germany) and the Vianden International Music Festival (Luxembourg), performing annually on their faculty recitals in collaboration with colleagues from the United States, Europe and the Asia. Previous positions include Director of the Collaborative Piano Program at the Brevard Music Center, music staff for both the Washington National Opera and San Diego Opera, and Music Director and Pianist for the San Diego Opera Ensemble.