During four weeks of intense study, students receive an education that is unmatched anywhere in the country in breadth, depth, and value. While participating in two weekly private lessons and orchestra concerts, students delve deeply into advanced chamber music and perform for their peers and the public at our historic concert hall and in the community. They may choose, in addition, to participate in a Concerto Competition for a chance to perform with the Young Artist Festival Orchestra, compete in the Chamber Music Competition, attend panel discussions about the music industry, and take part in mock auditions and receive feedback from seasoned orchestral musicians.
*We are now able to accept advanced High School students 17 and older into YAS!
In light of the Covid-19 pandemic, all in-person camps at Rocky Ridge have been cancelled. Instead we are offering a Virtual Young Artist Seminar for the reduced cost of $1,200.00. Please see the Virtual Young Artist Seminar tab below for more information!
Fees, Faculty and Schedules
Tuition – $2,750
Lodging & Meals – $1,275
UPGRADES & ADD ONS:
Piano usage fee for piano majors is $150.
Secondary instrument lessons fee is $300.
Bedding (optional) is $75.
All students who complete an application will be considered for merit scholarships. If you would like more information about our scholarships, please visit our Scholarships page. Rocky Ridge offers need-based financial aid in the form of student employment.
YAS FacultyInstruments: Flute Education: D.M.A., University of Iowa; M.M., University of Massachusetts
Claudia Anderson is known for her originality and brilliance as a solo and chamber music performer across the U.S. She is a founding member of the innovative flute duo ZAWA! and of New Prairie Camerata, a chamber initiative that showcases a community’s historical and architectural gems through performance and stimulates community participation. A Fulbright scholar to Italy, Ms. Anderson was subsequently principal flute of the Orchestra del Teatro Massimo in Palermo. She is presently principal flute with the Waterloo/Cedar Falls Symphony in Iowa, a guest artist and clinician at many colleges and music series around the country, and on the faculty of Grinnell College. She serves also as flute faculty and program director during the summers at Rocky Ridge Music Center (www.rockyridge.org). Equally at home in both the standard and contemporary repertoire, Dr. Anderson has commissioned and arranged works for solo and duo format and has moved into composition more recently. Writing about artistry in flute playing and chamber music as community is a current passion, as well as riding her Triumph Bonneville motorcycle. Other faculty positions have included the Universities of Iowa and Northern Iowa, Ithaca College, and the University of California at Santa Barbara. National Flute Association positions have included Coordinator for the Chamber Music Competition and adjudicator for HS Soloist, Young Artist, and Convention Performers Competitions. Claudia’s artistic and pedagogical inspiration came from the following great artists who were her teachers: Severino Gazzelloni, Thomas Nyfenger, Geoffrey Gilbert, William Bennett, and Peter Lloyd. Her recorded solo and duo performances can be found on the Centaur, Neuma and CRI labels. Her solo CD, American Flute (Centaur, 1994), was awarded five stars from Classical Pulse. Duo CDs include ZAWA! (Neuma, 2001), ZAWA2 (ZawaMusic, 2006) and Duos for Flute and Oboe (Centaur, 2005).
YAS FacultyInstruments: Oboe Education: B.M., Northwestern University
Principal Oboist of the Colorado Symphony since 1993 and Senior Instructor of Oboe at the University of Colorado at Boulder, Mr. Cooper has also held positions as Associate Principal Oboist of the San Francisco Symphony and Principal Oboist of the Hong Kong Philharmonic. He has performed and taught master classes throughout the United States as well as in Asia and Europe.
Peter Cooper strongly believes in expanding the solo repertoire for the oboe. He has commissioned and premiered five oboe concertos. In 2019 he will play a new concerto by Kevin Puts which was co-commissioned by the Colorado and Baltimore Symphonies. In 2000 he premiered the David Mullikin Oboe Concerto with the Colorado Symphony and recorded it in 2001 with Sir Neville Marriner and the Academy of St. Martin in the Fields in London for Summit Records. The disc also includes the Richard Strauss Oboe Concerto. The BBC Classical Music Magazine in its review of this CD praised Mr. Cooper as, “a first-rate soloist”. He previously recorded Swiss composer Heinrich Schweizer’s Oboe Concerto with the London Philharmonic Orchestra. He has also premiered concertos by Bill Douglas and Gregory Walker with the Colorado Symphony and Chen Gang with the Hong Kong Philharmonic.
In 2000, Summit Records released Mr. Cooper’s Whispers of the Past, a collaboration with harpist Marcia LaBella that garnered critical acclaim. Classical London Magazine lauded the CD as “A well recorded disc with stylish and charming performances.” The American Record Guide wrote, “Mr. Cooper has my favorite type of oboe sound: sweet, not too harsh, no sharp edges, just a melting soft pastoral tone.” Excerpts from this CD are frequently heard on National Public Radio.
Mr. Cooper has been invited to perform as Guest Principal Oboist with many noted ensembles. He has played many times with the St. Paul Chamber Orchestra and has recorded and toured with them. Others include the Boston, Atlanta, Seattle, Houston, Milwaukee and San Diego Symphonies, and the Israel Chamber Orchestra.
A prizewinner in the Tokyo International Oboe Competition, he has been soloist with orchestras in Japan, China, Hong Kong, Taiwan, Thailand and England, as well as with the San Francisco Symphony.
He frequently performs and teaches master classes at International Double Reed Society conventions. He has been a Principal Oboist of the Grand Teton Music Festival and has performed as Principal Oboist in the Oregon Bach Festival, St Barth Music Festival, El Paso Chamber Music Festival, and Strings in the Mountains.
Peter Cooper plays on Marigaux oboes; Marigaux, Paris, has sponsored him in a series of master classes and recitals throughout the United States and in Asia.
A 1981 graduate of Northwestern University, Mr. Cooper studied with Ray Still and Gladys Elliot.
JAS & YAS FacultyInstruments: Oboe, English Horn Education: M.M., Eastman School of Music; B.M., Oberlin Conservatory
Jason Lichtenwalter joined the Colorado Symphony as oboist/English hornist in 2002 and has held the same position with the Britt Festival Orchestra since 1998. Besides prior positions with the Dallas Opera Orchestra (Principal), Honolulu Symphony (2nd/Asst Principal, Acting English Horn), and East Texas Symphony (Principal), he has also performed with the Dallas, Fort Worth, and New World symphonies, the Naples and Boulder philharmonics, Colorado Music Festival Orchestra, and Colorado Bach Ensemble. As a featured soloist, he has appeared on oboe, oboe d’amore, and English horn. He currently serves as adjunct faculty at the University of Colorado Boulder and earned oboe performance degrees from the Oberlin Conservatory and Eastman School of Music, where he studied with James Caldwell and Richard Killmer. He has pursued post-graduate studies with Elaine Douvas, Robert Walters, Mark Ackerman, and David Matthews.
Visiting ArtistInstruments: Oboe, English Horn Education: Walters is a graduate of the Curtis Institute of Music and Columbia University, where he holds an MFA degree in poetry
Robert Walters joined The Cleveland Orchestra as solo english horn in 2004. He made his concerto debut with the Orchestra in 2006 performing Ned Rorem’s English Horn Concerto, and has subsequently played Peteris Vasks’s English Horn Concerto and, on the oboe d’amore, Bach’s Concerto in A major, BWV1055. In November 2015, he premiered Bernard Rands’s Concerto for English Horn with The Cleveland Orchestra, which had was commissioned for Mr. Walters as part of the Oberlin College Conservatory of Music’s 150th anniversary celebrations.
Mr. Walters has also appeared as guest soloist with the Chicago Symphony Orchestra, Cincinnati Symphony Orchestra, Orpheus Chamber Orchestra, Beijing Radio Symphony, China Film Philharmonic, Qingdao Symphony Orchestra, New York Chamber Soloists, Philadelphia Chamber Orchestra, Phoenix Symphony, Redlands Symphony, and most recently at Festival Mozaic in San Luis Obispo, California.
JAS & YAS FacultyInstruments: Clarinet Education: D.M.A., Indiana University – Bloomington; M.M., University of Illinois
David Shea currently serves as an Assistant Professor of Clarinet at Texas Tech University, and is also principal clarinet in the Abilene Philharmonic and Lubbock Symphony Orchestras. He has earned degrees from the Oberlin Conservatory (BM), the University of Illinois (MM) and Indiana University (DM). His teachers have been Howard Klug, Lawrence McDonald, Eli Eban, James Campbell and Ronald Phillips. Shea has performed as a soloist and chamber musician throughout the United States, France, Belgium, Germany, Austria, Brazil and Chile. As a member of Trio Montecino, he recently toured in Belgium, Germany, and the United States to promote the release of their second CD, Nuevo Sonido: Latin- American Trios, which is available on the Eroica Classical Recordings label. Shea has performed at the International Clarinet Association Clarinetfests in Chicago, Columbus, Salt Lake City, Atlanta and Kansas City, as well as the OU Clarinet Symposium, University of Montevallo Clarinet Symposium and most recently, at Klarinetstage, Belgium. Shea was a finalist in the Boosey and Hawkes North American Clarinet Competition and was a concerto competition winner at the Oberlin Conservatory and the Colorado Springs Summer Music Festival. In addition to his solo and chamber music performances, Shea has performed as an orchestral musician with the Indianapolis Symphony, Fort Wayne Symphony, Columbus Philharmonic, Champaign-Urbana Symphony and the Sinfonia de Camera. He has also been involved in numerous CD recording projects for Crystal, Naxos, Delos, Opus One, Indiana University Recordings and Hal Leonard Productions where he worked with such artists as Eugene Rousseau and the Indiana Clarinet Trio. As a teacher, Shea has given master classes throughout the US and South America. He has been invited twice to teach as a sabbatical replacement at the prestigious Jacobs School of Music at Indiana University. He has also participated in a Big 12 Fellowship grant with Dan Silver at CU-Boulder, where innovative teaching pedagogies were discussed and demonstrated during week-long residencies at both campuses. In 2005, Shea was awarded the Texas Tech University President’s Excellence in Teaching Award, and most recently, was inducted into the Texas Tech University Teaching Academy. David Shea is a Buffet-Crampon USA Performing Artist and is the Texas State Chair for the International Clarinet Association.
YAS FacultyInstruments: Bassoon Education: D.M.A. (in progress), Stony Brook University; M.M. Juilliard School; B.M., University of Southern California
Noted for his “bubbling, charming” playing, Rémy Taghavi is a highly sought-after bassoonist and educator based in the Northeast, and has performed, toured and recorded with numerous groups across North America, South America, and Asia. Rémy has held the position of principal bassoon with the New Haven Symphony Orchestra since 2018 and has been a guest artist with the American Youth, Cape, and Princeton Symphonies. He has previously been an associate member of the Civic Orchestra of Chicago and a substitute with Symphony in C, and has played under conductors including Sir Simon Rattle, Alan Gilbert, and James Conlon. Mr. Taghavi has performed as a soloist with the Stony Brook Symphony Orchestra and the New York Symphonic Ensemble at Fukuoka Symphony Hall and the United Nations.
As a chamber musician, Rémy has given performances at the Banff Centre, Domaine Forget, Bravo! Vail, the Atlantic Music Festival, FIMAC, Montréal/New Musics Festival, and the Annapolis Chamber Music Festival, of which he is co-director and founder. Mr. Taghavi is the bassoonist in Frisson, the New York-based nonet whose performances have been called “musical perfection” (Royal Gazette, Bermuda). He is also a member of SoundMind, a modern wind quintet which performs music by living composers alongside re-imagined works from across an expanse of style, genre, and instrumentation. Rémy is an alumnus of Ensemble Connect, a chamber music and career-development fellowship of Carnegie Hall and the Juilliard School.
Mr. Taghavi is currently Lecturer of Bassoon at the University of Massachusetts Amherst and faculty at the Rocky Ridge Music Center’s Young Artist Seminar (Colorado). From 2014 to 2019 he was an instructor of music technology in the Evening Division at the Juilliard School. He has been a guest lecturer at Skidmore College and the University of Cuenca (Ecuador). Rémy graduated magna cum laude from the University of Southern California, received a Master’s degree from the Juilliard School, and recently completed his doctorate at Stony Brook University. His primary teachers include Frank Morelli, Judith Farmer, and Norbert Nielubowski.
YAS FacultyInstruments: Horn Education: D.M.A., B.M., University of Alabama; M.M. Florida State University; Performer's Certificate, Roosevelt University
Dr. John McGuire has a vast array of performance and teaching experiences. He has performed with many orchestras around the country, most notably the Dallas Symphony Orchestra, the Dallas Opera, the Fort Worth Symphony, the New World Symphony in Miami, FL, the Civic Orchestra of Chicago, the Illinois Symphony Orchestra, and the Florida West Coast Symphony.
As a soloist he was awarded the title Yamaha Young Artist, has been a finalist in the American Horn Competition, won several regional solo competitions and has appeared as a guest artist at many workshops, festivals and schools across the United States. With several world-premiere performances to his credit, John is a passionate proponent for the creation of new solo horn literature as well as a sought-after contemporary music performer.
Prior to serving on the faculty of CSU, John served as adjunct instructor of Horn at the University of Alabama, Mississippi State University, Appalachian State University, Texas Women’s University, the Music Institute of Chicago, and Florida A&M University. In addition, John maintained a private studio of over fifty students in the Dallas/Fort Worth area public school systems for many years where he was also a prominent clinician and adjudicator. Today, many of John’s former students have moved into successful careers as music educators in reputable school systems and have attained positions as orchestral performers in premier ensembles such as the Detroit Symphony Orchestra.
John received his D.M.A. and B.M. in Music Performance from the University of Alabama, his M.M. in Performance from Florida State University, and a Performer’s Certificate from the Chicago College of Performing Arts at Roosevelt University in Chicago. His major professors were Charles Skip Snead, William Capps, and Dale Clevenger.
YAS FacultyInstruments: Violin Education: B.M. Juilliard
M.M. Yale University
D.M.A. Stony Brook University
Highly sought after as musician with a wide range of styles and interests, violinist Dawn Dongeun Wohn has performed throughout North and South America, Asia and Europe. She has appeared as a soloist with orchestras such as the Korean Broadcasting Symphony and the Aspen Conducting Orchestra, performed recitals across the world including Carnegie Weill Hall, Alice Tully Hall in Lincoln Center, Merkin Hall, and Jordan Hall. Her diverse interests have also led her to performances at Electronic Music Midwest, Radio City Hall and international tours with DJ Kid Koala.
Dawn began her musical studiies at The Juilliard School’s Pre-College Division as a full scholarship student of the renowned pedagogue Dorothy DeLay and continued her undergraduate studies at Juilliard with Hyo Kang. She pursued a Master of Music and an Artist Diploma at Yale University and completed her Doctor of Musical Arts degree at Stony Brook University under the direction of Philip Setzer of the Emerson Quartet.
As an active chamber musician, Dawn has performed at International Musician’s Seminar Prussia Cove in England, Great Mountains Music Festival in South Korea, The Banff Centre, and has held fellowships at Music@Menlo, Aspen Music Festival and School, Norfolk Music Festival, Sarasota Music Festival, as well as the Juilliard School’s Chamberfest and the New York String Seminar. Notable collaborations include members of the Emerson Quartet, Miami String Quartet, Afiara String Quartet, Colin Carr, Roberto Plano and Christina Dahl.
Currently, Dawn holds the position of String Division Chair, Assistant Professor of Violin at Ohio University’s School of Music. As a guest clinician she has presented at schools such as Ithaca College, CUNY, Bowling Green State University, Kansas University, East Tennessee State University, and has been on faculty of festivals such as the Académie Anglicorde in France, International Music Festival of the Adriatic in Italy, and Festival de Febrero in Mexico. Her debut album featuring works diverse works by female composers will be released in early 2019 by Delos Records.
YAS Faculty, ViolinInstruments: Violin Education: Artist Diploma, Franz Liszt Academy - Budapest
YAS FacultyInstruments: Violin Education: BM - Oberlin Conservatory
Claude Sim enjoys a varied career as a chamber musician, orchestral leader, soloist, and multi-genre performing artist. He studied violin performance at the Oberlin Conservatory (BM ’99) with Greg Fulkerson, Almita Vamos, and viola with Roland Vamos. At age 21, he was appointed Associate Concertmaster of the Colorado Symphony under music director Marin Alsop. As frequent soloist with the orchestra, he has earned praise for his ‘lustrous tone and poise’ by the Rocky Mountain News, and dubbed ‘Denver’s Musical Adventurer’ by the Denver Post. He was formerly Associate Principal Second of the Baltimore Symphony Orchestra and has served as guest Concertmaster of the Kansas City Symphony, Principal Second of the National Arts Centre Orchestra of Ottawa, and first violin with the Philadelphia Orchestra.
Equally at home performing on violin and viola, Sim has been a grand prizewinner at the Fischoff National Chamber Music Competition. He has served as guest first violin and viola on concert tours with the critically acclaimed Miró and Pacifica Quartets, and has collaborated in performance with acclaimed pianists Christopher O’Riley, Jeffrey Kahane, and members of the Vermeer and Tokyo String Quartets.
Sim is the solo violinist of Extasis, the noted tango group with a studio album to their credit. The ensemble’s arrangements of Golden Age tango by D’Arienzo, Troilo and Pugliese through the nuevo tango of Rovira and Piazzolla serve as foundations of their wide ranging repertoire. Extasis performance tours and community engagements have reached audiences across the United States and Europe.
Known for his multi-genre interests, Sim’s jazz album Time With You presents a collection of standards from the American Songbook. Trumpeter Greg Gisbert (Wynton Marsalis, Clark Terry sideman) is a featured artist on the record. Sim has performed with Hamilton star Leslie Odom Jr. and Odom’s jazz quintet as guest soloist, and has shared the stage with Irish American fiddler Eileen Ivers, Warren Haynes (Allman Brothers Band, Gov’t Mule), rock band Guster, and with iconic Denver rock band Devotchka, both live and on the album 100 Lovers. He performed as a duo with GRAMMY award-winning artist and banjo master Béla Fleck on a 2014 Colorado tour, culminating at the Telluride Bluegrass Festival.
Sim is a member of the Aaron Walker Quartet, specializing in exploring original modern and standard Gypsy jazz. The ensemble collaborates with today’s elite string jazz artists including guitarists Joscho Stephan, Gonzalo Bergara, and jazz violinists Tim Kliphuis and Jason Anick.
Claude Sim’s performing career and concurrent teaching philosophy are driven by striving to be a complete artist and citizen. His teaching mission focuses on developing true versatility while building connections across musical genres, communities and cultures. His previous teaching appointments include University of Colorado Denver and Colorado State University. In 2019, he joined the University of Colorado Boulder College of Music as Assistant Professor of Violin.
YAS FacultyInstruments: Viola Education: M.M., Indiana University – Bloomington; B.M., University of British Columbia
David Rose was born in Regina, Saskatchewan and there began his early musical education and violin study. At the suggestion of his first teacher, Ernest Kassian, David switched to the viola at age 12 and immediately enjoyed the deep, warm sound of this new instrument. A few years later, he became a member of the Regina Symphony Orchestra. David’s principal teachers have been Gerald Stanick at the University of British Columbia, and Atar Arad at Indiana University, both of whom guided him to a greater love for music and the viola. His interest in orchestral and chamber music led to association with the Vancouver Symphony, the CBC Vancouver Orchestra, and many chamber music series from coast to coast in Canada, including the Vetta Chamber Ensemble in Vancouver, the Ottawa Chamber music Festival and the summer festival of New Brunswick. Upon graduation, David was awarded the position of associate principal viola of the Vancouver Symphony. He served for eight seasons as principal viola of the Kitchener-Waterloo Symphony and violist with the Canadian Chamber Ensemble, as well as teaching at the University of Waterloo. Also greatly interested in performance on period instruments, David studied baroque viola with John Sawyer and Stanley Ritchie. He was a member of the Pacific Baroque Orchestra and performs and tours frequently with Toronto’s Tafelmusik. Most recently, David served as the acting assistant principal viola of the San Francisco Symphony, enjoying involvement in a European tour and the Grammy-winning Mahler symphony recording cycle.
Si-Yan Darren Li
YAS FacultyInstruments: Cello Education: Artist Diploma, M.M., Peabody Conservatory; B.M., Juilliard
Cellist Si-Yan Darren Li made his professional debut at the age of 9 and has since gone on to an international career as a recitalist, chamber musician and teacher. He has appeared in solo and chamber music performances at Carnegie Hall’s Stern Auditorium, Weill Recital Hall, Alice Tully Hall, Merkin Hall, 92nd Street Y, Kennedy Center, Victoria Concert Hall in Singapore, Izumi Hall in Osaka, Suntory Hall in Tokyo and National Concert Hall in Taipei. Li has also performed in many renowned music festivals, including the Ravinia Festival, Kronberg Academy Cello Festival and Verbier Festival. An active chamber musician, he has collaborated with such esteemed artists as Emanuel Ax, Miriam Fried, Ilya Kaler, Lang Lang, Cho-Liang Lin, Thomas Quasthoff, Alexander Toradze and members of the Juilliard, Takács, Cleveland, Casals and Ébène quartets. His recording of the Bartók string quartets with the Euclid Quartet was highly praised by Gramophone magazine and American Recording Guide.
Having previously taught at Indiana University and University of Central Florida, Li joined the faculty of the Cleveland Institute of Music in 2017. As a dedicated pedagogue, his student ensembles have won top prizes in major international and national competitions, including the Banff International String Quartet Competition, Bordeaux International String Quartet Competition, Melbourne International Chamber Music Competition, Wigmore Hall International String Quartet Competition, Fischoff Chamber Music Competition and Coltman Chamber Music Competition.
Li holds a Bachelor of Music degree from The Juilliard School and a Master of Music and Artist Diploma from the Peabody Institute. In addition to Orlando Cole, his principal teachers include Fred Sherry, Harvey Shapiro, Alan Stepansky and David Hardy. Li is a prizewinner in numerous prestigious competitions, including the Tchaikovsky International Competition in Moscow and Young Concert Artists International Auditions in New York. He is also a recipient of the American Masterpieces grant from the National Endowment for the Arts. Li plays a 1773 cello by Giovanni Battista Guadagnini, generously on loan from the private collection of Mr. and Mrs. Rin Kei-Mei.
Benjamin de Kock
YAS Faculty, RRMA Faculty, DenverInstruments: Double Bass Education: BM in Double Bass Performance, University of Cincinnati-Conservatory of Music
MM in Double Bass Performance, University of Cincinnati-Conservatory of Music
DMA in Double Bass Performance, University of Colorado at Boulder
Dr. Benjamin received his Bachelor and Masters degree from the University of Cincinnati College-Conservatory of Music under the instruction of professor Albert Laszlo, and his Doctorate at the University of Colorado at Boulder. He first came to Colorado in 2002 to attend the Aspen Music Festival and School. After attending the AMFS for several years he decided to move to Colorado in order to pursue his doctorate.
Currently, Dr. Benjamin plays with several orchestras and chamber groups across the United States. He is principal bass of the San Juan Symphony in Durango Co, principal bass with the Colorado Bach Ensemble, assistant principal of the Steamboat Symphony Orchestra, a guest musician with the Charleston Symphony in South Carolina, assistant 3rd chair with the Greeley Symphony, a section member of the Boulder Philharmonic, and a regular sub the Colorado Symphony. In addition to his busy performing schedule he is also works for El Sistema Colorado (ESC) as a Secondary Strings Teaching Artist, Guest Artist Coordinator, and Arts Community Liaison.
YAS FacultyInstruments: Piano Education: Graduate, Cleveland Institute of Music; Post-graduate Diploma studies in Europe with Dmitri Bashkirov and Joaquín Achúcarro
Regarded by international critics and audiences as an artist of extraordinary musicianship and rare sensibility since his acclaimed solo recital debut at the National Gallery of Art in Washington, D.C., American pianist Gerardo Teissonnière brings to the concert stage an exciting amalgam of the diverse and important musical traditions he represents. From appearances at the Aspen Music Festival in Colorado, Lincoln Center in New York to concert halls throughout Asia, Europe, North and Latin America, Mr. Teissonnière appears in solo recital, as soloist with orchestra, in duo-piano and chamber music performances in major concert series as well as in radio and television broadcasts throughout the world.
Highlights of recent concert seasons include solo recital debuts in Munich, Italy and Vienna, as well as
solo and chamber music performances with members of The Cleveland Orchestra, and critically acclaimed performances at the Sulzbach-Rosenberg International Music Festival in Germany. Recent concert season events include appearances at the Teatro Nacional de Costa Rica, Lincoln Center in NewYork City, a performance for an audience of twenty thousand and a solo recital at the Diayucheng International Music Festival in Chongqing, China, his solo recital debut in Beijing, all-Chopin concerts in Poland, chamber music concerts in Latin America featuring première performances of the Sonata for Violin and Piano by Pablo Casals, and a return engagement with the Puerto Rico Symphony Orchestra as soloist in Tchaikovsky’s First Piano Concerto. The 2018 season marked his debut as soloist with orchestra in Beijing, appearances in concert and master classes in New York City, Beijing’s Central Conservatory, as Artist-in-Residence at the Rocky Ridge Music Center in Colorado and a solo recital tour of Shaanxi, Henan, Hunan, and Szechuan Provinces in China. In the 2018-19 season, Mr. Teissonnière began two projects: performing all of Beethoven’s works for piano and orchestra, and a series of recitals featuring works by and inspired toward the composer’s 250th anniversary, and Schubert 2020, his much anticipated traversal of the piano music of Franz Schubert.
During the worldwide Schubert Bicentennial celebrations, Mr. Teissonnière presented a series of critically
acclaimed solo recitals dedicated to the works of the Viennese composer. Highly regarded since for his
interpretations of the Classical repertoire, he has presented local, regional, American and world premièreperformances of music by 20th century and contemporary composers such as Pablo Casals, AaronCopland, Claude Debussy, Evan Fein, Alberto Ginastera, Osvaldo Golijov, Lowell Liebermann, Darius Milhaud, Arvo Pärt, Jake Runestad and Robert Schumann.
Gerardo Teissonnière combines an active performance schedule with faculty appointments at the Cleveland Institute of Music and Case Western Reserve University, and served as Artistic Director of the Piano Department and Artist-in-Residence at the Amati Music Festival in New York. He is the recipient of the Alumni Achievement Award from the Cleveland Institute of Music in recognition of his outstanding accomplishment in the field of piano performance and pedagogy, the Judson Smart Living Award in Education, and received multiple nominations for the Ohio Arts Council’s Governor’s Award for the Arts.
Mr. Teissonnière began his musical training at an early age in Puerto Rico with Cecilia Talavera and LuzHutchinson. He continued Conservatory studies with Jesús Maria Sanromá and Vitya Vronsky, both
pupils of Artur Schnabel and Alfred Cortot, at the Aspen Music Festival with Jeaneane Dowis, in Europe with Dmitri Bashkirov and Joaquín Achúcarro, and made his debut as soloist with the Puerto Rico Symphony as a laureate in the first Jesús Maria Sanromá Piano Competition. An exclusive Steinway Artist, Mr. Teissonnière is on the Artist Roster of the Si-Yo Music Society Foundation in New York.
Gerardo Teissonnière is in great demand for his mentoring of young musicians, and conducts master
classes and piano pedagogy seminars throughout the world. His students have performed as soloists
with some of the world’s most important orchestras such as The Cleveland Orchestra, and in solo recital at Carnegie Hall and Lincoln Center, among other venues. A member of the Artist Faculties at the Rocky Ridge Music Center in Colorado, the Sulzbach-Rosenberg International Music Festival in Germany and Music Fest Perugia in Italy, Gerardo Teissonnière is listed in Who’s Who in America, Who’s Who Among America’s Teachers, and Who’s Who in the World. In 2019 Mr. Teissonnière celebrates his 30th anniversary as member of the Piano Faculty at the Cleveland Institute of Music, where he studied with Steinway Immortal Vitya Vronsky Babin
YAS FacultyInstruments: Piano
Lauded for “superb playing” and “poised, alert musicianship” by the Boston Globe, and labeled “definitely a man to watch” by London’s The Independent, American pianist Spencer Myer is one of the most respected and sought-after artists on today’s concert stage.
Adding to his North American credentials, Spencer Myer includes in his current season returns to the Boise and Northeastern Pennsylvania Philharmonics and the Traverse Symphony Orchestra. His solo recitals and chamber music collaborations take him throughout the United States, including an appearance with Jamie Bernstein at Washington, D.C.’s National Museum of Women in the Arts for a special performance of Leonard Bernstein’s complete “Anniversaries”.
Spencer Myer’s orchestral, recital and chamber music performances have been heard throughout the United States, Canada, Europe, Africa and Asia. He has been soloist with The Cleveland Orchestra, the Boise, Dayton, Rhode Island, Cape Town, Johannesburg and Louisiana Philharmonic Orchestras, Pro Arte Chamber Orchestra of Boston, the Baton Rouge, Indianapolis, Knoxville, New Haven, Omaha, Phoenix, Santa Fe and Tucson Symphony Orchestras, Indianapolis Chamber Orchestra, Mexico’s Orquesta Filarmónica de Jalisco and Beijing’s China National Symphony Orchestra, collaborating with, among others, conductors Michael Christie, Leslie B. Dunner, Robert Franz, Bernhard Gueller, Jacques Lacombe, Jahja Ling, Timothy Muffitt, Yannick Nézet-Séguin, Kevin Rhodes, Lucas Richman, Steven Smith, Thomas Wilkins and Victor Yampolsky. His 2005 recital/orchestral tour of South Africa included a performance of the five piano concerti of Beethoven with the Chamber Orchestra of South Africa, followed by return orchestra and recital tours in 2008, 2010, 2012, 2015 and 2018.
Spencer Myer’s recital appearances have been presented in New York City’s Weill Recital Hall, 92nd Street Y and Steinway Hall, Philadelphia’s Kimmel Center and London’s Wigmore Hall, while many of his performances have been broadcast on WQXR (New York City), WHYY (Philadelphia), WCLV (Cleveland) and WFMT (Chicago). An in-demand chamber musician, he has appeared for five summers at the Lev Aronson Legacy Festival in Dallas with cellists Lynn Harrell, Ralph Kirshbaum, Amit Peled and Brian Thornton, and has enjoyed a recurring partnership with the Miami String Quartet at the Kent/Blossom Music Festival. Other artistic partners include clarinetist David Shifrin, sopranos Nicole Cabell, Martha Guth and Erin Wall, the Jupiter and Pacifica string quartets and the Dorian Wind Quintet.
Spencer Myer’s career was launched with three important prizes: First Prize in the 2004 UNISA International Piano Competition in South Africa, the 2006 Christel DeHaan Classical Fellowship from the American Pianists Association and the Gold Medal from the 2008 New Orleans International Piano Competition. He is also a laureate of the 2007 William Kapell, 2005 Cleveland and 2005 Busoni International Piano Competitions. He enjoys an esteemed reputation as a vocal collaborator since winning the 2000 Marilyn Horne Foundation Competition. Mr. Myer was a member of Astral Artists’ performance roster from 2003-2010.
An enthusiastic supporter of the education of young musicians, Spencer Myer has served as a guest faculty at the Oberlin and Baldwin-Wallace Conservatories of Music, and in the fall of 2015, he was appointed Artist-Teacher of Piano and Collaborative Piano at Boston’s Longy School of Music of Bard College.
Spencer Myer’s debut CD for harmonia mundi usa – solo music of Busoni, Copland, Debussy and Kohs – was released in the fall of 2007 to critical acclaim by Fanfare and Gramophone magazines. Mr. Myer has released four CDs on the Steinway & Sons label since 2017: Piano Rags of William Bolcom, and three discs with cellist Brian Thornton encompassing cello/piano repertoire of Brahms, Debussy and Schumann.
Spencer Myer is a Steinway Artist.
YAS FacultyInstruments: Collaborative Piano Education: D.M.A., University of Michigan; M.M., Indiana University; B.M. Oberlin College
Andrew Campbell has established himself as one of the most versatile collaborative pianists in the United States with a performing career that has taken him to six continents. Recent appearances include a South African concert tour, highlighted by a recital at the Johannesburg International Mozart Festival; a performance of Bach’s keyboard concerto in d minor with the Chintimini Festival Chamber Orchestra; performances at the Miklin Festival Internacional in Bogotá, Columbia; and the world premier of Damian Montano’s Disappearing Moon at the 2017 International Double Reed Society Conference. He has collaborated in recitals with such diverse artists as violinist Chee-Yun, double bassist Catalin Rotaru, flutist Thomas Robertello, bassoonist Judith LeClair, trombonist Charles Vernon, saxophonist Timothy McAllister, composer Bright Sheng, and tenor Anthony Dean Griffey. He served as opera rehearsal pianist for distinguished conductors André Previn, Plácido Domingo and Heinz Fricke, and worked closely with the composer Carlisle Floyd on several productions of his operas. Chamber music performances have taken him to important venues including Weill Recital Hall at Carnegie Hall, where The Strad and Strings magazines both hailed his performance as “excellent.” His partnership with violinist Katherine McLin in the McLin/Campbell Duo has led to performances on numerous recital series throughout the United States and Europe. He has recorded several CDs on the Summit and Centaur labels, and his performance of the Rachmaninoff cello sonata with bassist Catalin Rotaru was cited for special praise by Bass World and XBass, two leading international journals. He has appeared as collaborative pianist at numerous international conferences, including the National Flute Association Convention, MTNA, the Society for American Music, the International Viola Congress, and multiple appearances at the International Double Reed Society, for which he has served as official pianist. Dr. Campbell received the Doctorate in Piano Chamber Music and Accompanying from the University of Michigan where he studied with the renowned collaborative artist Martin Katz.
Dr. Campbell is currently Director of the Collaborative Piano Program and Associate Director for Graduate Studies at the Arizona State University School of Music. He recently completed his 8th season as Assistant Director and Director of Chamber Music for the Saarburg Serenaden Music Festival (Germany) and the Vianden International Music Festival (Luxembourg), performing annually on their faculty recitals in collaboration with colleagues from the United States, Europe and the Asia. Previous positions include Director of the Collaborative Piano Program at the Brevard Music Center, music staff for both the Washington National Opera and San Diego Opera, and Music Director and Pianist for the San Diego Opera Ensemble.
ConductorInstruments: Orchestra Conductor Education: D.M.A., State University of New York-Stony Brook
An accomplished conductor, pianist, and educator, Jeffery Meyer launched his career as a champion of contemporary orchestral music and innovative collaborations. He currently holds positions as the Artistic Director of the St. Petersburg Chamber Philharmonic as well as the Director of Orchestras at Arizona State University. In recent concert seasons, he has performed as a conductor and chamber musician throughout North America, Europe, China, Russia, and Southeast Asia. Called “one of the most interesting and creatively productive conductors working in St. Petersburg” by Sergei Slonimsky, Meyer’s work with the St. Petersburg Chamber Philharmonic has been noted for its breadth and innovation. In 2010, he led the St. Petersburg Chamber Philharmonic in its United States debut with three performances at Symphony Space’s “Wall-to-Wall” Festival in New York City which the New York Times called “impressive”, “powerful”, “splendid”, and “blazing.” His programming in the United States has been recognized with three ASCAP Awards for Adventurous Programming. He has been distinguished in several international competitions and was a prizewinner in the 2008 International Conducting Competition “Antonio Pedrotti” and the winner of the 2013 American Prize in Conducting. Recent and upcoming activities include appearances throughout Southeast Asia including the Tianjin May Festival, the 2016 Singapore International Festival of Music, and concerts with the Philippine Philharmonic, Tianjin Symphony, Sichuan Symphony, and Thailand Philharmonic Orchestra, as well as appearances with
the Phoenix Symphony, the Orquesta Sinfónica de Xalapa, Orquesta Sinaloa de las Artes, Stony Brook Symphony Orchestra, Ensemble X, the Indiana University Jacobs School of Music Chamber Orchestra, Alia Musica, and the MiNensemblet (Norway).
YAS Faculty - Conductor in Odd Years (2021, 2023)Instruments: Orchestra Conductor Education: M.M., Indiana University; B.M., University of California at Berkeley
Adam Flatt, conductor, enjoys a busy and versatile musical presence in three different regions of the United States. He serves as Music Director of the Colorado Ballet, the Newport Symphony (the Oregon coast’s professional orchestra) and the Tuscaloosa Symphony Orchestra.
Adam is well-known for his inspiring work with music students at the highest level. He has served on the faculty of Curtis Summerfest as well as the Rocky Ridge Music Center. He has previously held positions with two of America’s most prominent youth orchestras: the Portland Youth Philharmonic and the Denver Young Artists Orchestra, and conducted a springtime residency of the Landes-Jugend-Sinfonie-Orchester Saar. He has led performances with many excellent university and conservatory orchestras.
Adam Flatt has guest conducted the orchestras of Alabama, Cheyenne, Dallas, Delaware, Houston, Lubbock, Midland, Missoula, Monterey, Oregon, Sacramento, Saint Louis, San Juan, Santa Rosa, South Carolina, and many others. He has led performances with the major ballet companies of Portland and Salt Lake City as well as that of Denver. He has led productions for Colorado Light Opera, Eugene Opera, and Colorado Symphony collaborations with Central City Opera and Opera Colorado.
Adam Flatt has his bachelor’s degree with honors in music from the University of California at Berkeley, and his master’s degree in conducting from the Indiana University School of Music. He studied music for two years in Austria and Germany, and studied at the Aspen Music Festival.
**Adam Flatt conducts at Rocky Ridge on odd years (2021, 2023…)
YAS FacultyInstruments: Voice, Voice (classical) Education: B.M.E., Kansas State University
M.M., University of Missouri in Kansas City
M.M., Yale School of Music
A Fredonia voice faculty member since 2013, Brent Weber teaches Applied Voice, Opera Seminar, Opera History and has stage directed many productions including The Merry Widow, for the Hillman Opera and Don Giovani, Little Women, Music Man, Phantom of the Opera & Les Miserables Highlights, with Western New York Chamber Orchestra at the Rockefeller Arts Center. In 2019, he will be directing My Fair Lady for the Commencement Eve Pops Concerts.
Weber is equally successful in front of an orchestra or chorus. He has conducted the Chautauqua County All-County Honor Choir and the PMEA Regional Choir, and the Young People’s Chorus in Erie. In higher education he conducted the Edinboro University Singers and Chorale and the Chamber Choir at Mercyhurst University and at Brookdale Community College in Lynhurst, NJ, he initiated their first community choral ensemble. Weber was also the chorus master for the Lyric Orchestra, a grass roots production company that presented operas and chamber works in New York, New Jersey and Florida. With the Lyric Orchestra he directed, sang and conducted for more than 10 years. As General Director of the Erie Opera Theatre, (EOT) he produced and conducted the world premiere opera, The Selfish Giant, 2 years later, he sang the tenor role which was recorded with the Erie Chamber Orchestra. Additional conducting credits with EOT include, La Bohème, Amahl and the Night Visitors, The Elixir of Love and Gala Concerts.
As an operatic tenor, Weber has performed many roles. His favorites include the Duke in Rigoletto, Pinkerton in Madame Butterfly, Tamino in The Magic Flute, Rodolfo in La Bohème & Luisa Miller, and Don Carlo in Don Carlo, with the opera companies of St. Louis, Miami, Memphis, Syracuse, Holders Festival in Barbados, New York, Chicago and New Jersey. Featured solo accomplishments in oratorio include, Bach’s Magnificat and Mozart’s Mass in C at Carnegie Hall in New York, Rossini’s Stabat Mater at the Shrine of the Immaculate Conception in Washington, D.C. and many duet recitals with his wife, soprano Lisa Layman. His Broadway credits include the “Encores, Great American Musicals” premiere production of Fiorello, with additional productions of Call Me Madame, and Lady in the Dark at City Center in New York. For three years he performed the role of Piangi in, The Phantom of the Opera, Vancouver and Toronto, with Livent National Company of Canada.
When not teaching at Fredonia, Weber can be found in Pittsburgh, PA as Coordinator of Voice and Opera at Mary Pappert School of Music, Duquesne University, where he teaches Voice, Vocal Literature, Opera Workshop and Acting for Singers and at Grove City College, where he also teaches Voice.
YAS Faculty - Conductor in Even Years (2020, 2022)Instruments: Orchestra Conductor
Nicholas Carthy studied at the Guildhall School of Music in London with Mary Peppin and John York, and in 1981 won an Austrian government scholarship to study at the Mozarteum Salzburg with Hans Leygraf. After completing his studies he was offered a post as Kapellmeister at the Landestheater in Salzburg where he made his operatic debut conducting Mozart’s Marriage of Figaro. During this time he was also an assistant at the Salzburg Festival, working closely with both Bernard Haitink and Sir Georg Solti.
From 1990 until 1993 Carthy was assistant to Daniel Barenboim, working on the Erato recording of Don Giovanni in Berlin, at the Chicago Symphony for the Mozart/DaPonte series, in Le Châtelet in Paris (Wozzeck), and in Bayreuth.
In June 1992, Nicholas Carthy was appointed Musical Director of the Orchestra della Svizzera Italiana. Under his stewardship the orchestra received invitations to perform at the Lucerne Festival, the Concertgebouw and the Goldener Musikvereinssaal in Vienna. Carthy has conducted opera productions in Vienna, Salzburg, Oslo, Stockholm, Winterthur, Milan, Rome, Naples, Eugene and Tel Aviv. His repertoire ranges from Mozart to the contemporary. He conducted the first performances of Thomas Adès Powder Her Face in Sweden, Israel, Switzerland and Italy. A critical review in Opera magazine described the first performance in Italy as being “conducted with brilliant musicality.”
As a guest conductor Nicholas Carthy has worked with orchestras such as Camerata Academica Salzburg, Mozarteum Orchester Salzburg, Royal Philharmonic Orchestra Stockholm, Colorado Symphony Orchestra, Orchestra RAI di Torino, Orchestra San Carlo di Napoli, Accademia Filarmonica Roma, Orchestra Teatro Reggio Torino, Orchestra Sinfonica del Piemonte, L’Orchestra Filarmonica di Torino, Orchestra di Padua e del Veneto, Pomeriggi Musicale di Milano, Wiener Volksopernorchester, Israel Contemporary Players, Stadtorchester Winterthur, RSO Prague, Slovak Philharmonic, Slovenian Philharmonic, Orquesta de San Sebastian and the Accademia Nazionale di Santa Cecilia di Roma, where he collaborated closely with Luciano Berio on several projects. He has worked with distinguished soloists including Radu Lupu, Alicia de Larrocha, Natalia Gutman, Viktoria Mullova, Waltraud Meier, Daniela Barcellona, Robert Dean Smith and Wolfgang Holzmair.
Beside his activities as a conductor, Nicholas Carthy is a much sought-after accompanist. He has performed in many of the great halls of the world such as Carnegie Hall, Suntory Hall, Wigmore Hall, Bolshoi Theatre, Kölner Philharmonie, Wiener Konzerthaus, La Scala, La Fenice, Santa Cecilia, Gewandhaus Leipzig, and the Berlin State Opera, He has also performed at festivals including Salzburg, Bad Kissingen, München, Schleswig-Holstein and the Schubertiade in Hohenems.
His work as a musical educator has taken him all over the world. From 1996 to 2002 he was a guest professor at the opera school in Stockholm and is Musical Director of the Portland State University Summer Programme. He is Professor of Music and Opera Music Director at the University of Colorado, and visiting tutor at the Royal Northern College of Music. Carthy gives master classes in opera schools and conservatories throughout Europe and the U.S.A, as well as conducting youth orchestra seminars in Austria, Switzerland, Spain, Italy and Norway. He also sits on the jury of several international piano and singing competitions. Nicholas Carthy broadcasts regularly as conductor and pianist.
Nicholas Carthy will conduct at Rocky Ridge in 2020 and 2022.
Our college musicians are entering a world that has changed dramatically in the past few months. Almost overnight, and at an accelerated pace of learning, we have all had to pivot to a virtual platform for much of our activities.
We are in an uncharted period of learning and possibilities due to Covid-19. While no one knows for sure how our cultural and educational organizations will change, it is clear they will change – in fact, they already have. Our need to express ourselves through the arts and to continually improve as musicians will not change. There will always be a market for the arts to lift our spirits and to remind us of our collective humanity. However, it is a reality that profound new ways of creating and sharing art, and the economics of art will have to replace old models.
During our 4-weeks of virtual Young Artist Seminar for college students, we want to retain what is best about master teacher to student learning through one on one lessons (90 minutes per week), coachings, and audition preparation.
We will also take advantage of our campus without boundaries by exploring how to become a complete musician in a dawning new era. This happens through:
- Score study: in-depth work on chamber and orchestral scores to prepare the student for auditions and performances
- Mock auditions
- Faculty seminars on topics of individual expertise
- Translation of individual artistry into the digital platform, exploring pros/cons and creating new models for performance
- Development of listening skills oriented towards a virtual platform
- Expansion of an understanding of both audio and visual technology (hardware and software) that can enhance the musician’s readiness for new learning and performance parameters
Envisioning the Future
- Networking with musicians from all over the world: spirited discussion and problem-solving workshops with world-wide arts leaders and thinkers to help create a thriving new arts economy.
All students who complete an application will be considered for merit scholarships. If you would like more information about our scholarships, please visit our Scholarships page.
Need-based Financial Aid
Rocky Ridge offers need-based financial aid in the form of student employment (counselors and work-study) to students accepted into the Young Artist Seminar. To apply for need-based financial aid, complete the Financial Aid form on Young Artist Seminar application, upload an audition recording, and submit the appropriate tax documentation.
Students listed as dependents must submit their parent(s)/guardian’s most recent income tax return. Financial aid applications will not be considered without this information and priority is given to complete applications (including attachment and audition) submitted by February 15, 2020.
Counselors are Young Artist Seminar (YAS) students who supervise, reside with, and mentor up to eight students under age 18 during the programs preceding or following the Young Artist Seminar. Counselors are not on duty during the four weeks of the Young Artist Seminar, June 16 to July 12. Students may be eligible for both a counselor position and a work-study position in 2020. You may also apply for more than one counselor position. Applicants must be age 20 or older on the first day of their counselor duty.
Co-head Counselor: $4,025 (May 27 to June 15 AND July 13 to August 3), 2 positions awarded.
Junior Artist Seminar Counselor: $1,750 (May 29 to June 15), up to 6 positions awarded.
Junior Music Program: $1,750 (July 13 to July 27), up to 6 positions awarded.
Jazz Program Counselor: $850 (July 27 to August 3), up to 3 positions awarded.
Work-study recipients are Young Artist students who are given additional job responsibilities that may include janitorial, kitchen crew, stage set-up, or grounds upkeep. Work-study positions are paid hourly; students can expect to work approximately 2 hours per day during the Young Artist Seminar and more during the other programs. You can apply for one or more positions. Applicants must be age 18 or older on the first day of their work-study duty.
Junior Artist Seminar Work-Study: $12/hr up to $850 gross earnings, May 31 (arrival between 3pm-9pm) to June 14 (food and housing provided).
Young Artist Seminar Work-Study: $12/hr up to $650 gross earnings, June 15 (arrival between 3pm-9pm) to July 12.
Junior Music Program Work-Study: $12/hr up to $850 gross earnings, July 13 to July 26 (food and housing provided).
Jazz Program Work-Study: $12/hr up to $400 gross earnings, July 27 to August 2 (food and housing provided).
Shortly after notification of financial aid award, counselors and work-study students will receive a detailed agreement specifying arrival and departure times for their choice of work schedule. We highly recommend you do not make travel arrangements without consulting the financial aid award agreement and/or consulting with our office at 303-449-1106. All amounts listed represent total gross income before any applicable taxes.
Guidelines for Financial Independence Based on IRS Information
- Student is not listed as a dependent by parent(s)/guardian on their federal income tax return.
- Student attends school less than full-time or non-student is 19 or older by December 31, 2019.
- Student receives less than half of total support per year from parent(s)/guardian. This includes tuition, clothing, medical care, insurance, etc. If you meet all the guidelines for financial independence based on the guidelines above, please submit a copy of your most recent federal income tax return.
If you do not meet all the guidelines for financial independence based on the guidelines above, please submit a copy of your parent/guardian’s most recent federal income tax return with your application.
8:30am: Masterclass/Guest Artist
9:30am: Chamber A
10:30am: Chamber B
2:30pm: Chamber C
7:00pm: Performance Class
Young Artist Program applicants must submit a recorded audition to complete their application for admission and be considered for merit scholarship or other financial aid.
Audition should consist of two contrasting pieces or movements that best represent the applicant’s level and accomplishment. Please submit video recording, audio-only recordings will not be accepted. Supported video file types are avi, m4v, mov, mp4, mpeg, mpg, vob, wmv, mkv.
The 2020 Concerto Competition is open to all instrumentalists and singers enrolled in the Young Artist Seminar (June 16 to July 12, 2020).
The competition will occur in the following stages and timeline:
- Click “yes” within the Young Artist Seminar (YAS) online application to the question, “Are you interested in competing in the Concerto Competition?”
- Pre-approval Round: please indicate your concerto choice on the online application. Orchestration must be for classical orchestra or subset (2 flutes, 2 clarinets, 2 oboes, 2 bassoons, 2 horns, 2 trumpets and timpani, strings). All scores AND parts must be in the public domain and readily available on imslp.org.
- Preliminary Round: a link will be sent to the contestants to upload an audio or video file (no longer than 15 minutes) of a concerto movement or equivalent. To be considered for the final round, the upload must be completed by May 1. Selected finalists will be notified by May 15.
- Final Round (open to the public): finalists will perform the same concerto/aria/work that was submitted for the Preliminary Round of no longer than 15 minutes at Rocky Ridge Music Center Concert Hall on Saturday, June 20, 2020, with Rocky Ridge staff accompanist. Memorization is required. All piano scores (please no photo copies) must be submitted to the RRMC office by 5 PM on the first day of the Young Artist Seminar on June 16.
- The winner(s) will be scheduled to perform with the Young Artist Festival Orchestra on one of the following dates at 3:30 PM at the Rocky Ridge Music Center Concert Hall in Estes Park, CO:
- Friday, June 26, 2020, OR
- Sunday, July 12, 2020.
We are still accepting applications for our Virtual Young Artist Seminar! Questions? Email us at RRMC@RockyRidge.org or call 303-449-1106.
All students who complete an application will be considered for merit scholarships. Rocky Ridge offers need-based financial aid in the form of student employment.