In two weeks of intense immersion in music, students hone their skills and develop their unique musical voices through composition, ensembles, performance, and private tutorials. Additionally, students collaborate to compose a new orchestral work for the final concert. Opportunities for growth are unparalleled: students may elect to explore jazz improvisation or mariachi, and can challenge themselves further through advanced classical repertoire or participation in the concerto competition.
Fees, Faculty and Schedules
$2,500 (includes lodging and meals)
UPGRADES & ADD ONS:
Piano usage fee for piano majors $75
Secondary instrument lessons fee $150
Bedding (optional) $60
All students who complete an application will be considered for merit scholarships.
Registration for 2019 is now open! Click here to start your application now.
JAS Faculty, JMP FacultyInstruments: Flute Education: M.M., University of Michigan; B.M., San Francisco Conservatory of Music
Catherine Peterson is second/assistant principal flutist of the Colorado Symphony Orchestra. A regular substitute flutist with the Baltimore Symphony Orchestra since 2010, she has performed Afternoon of a Faun at Myerhoff Symphony Hall under the direction of Louis Langree, and toured Carnegie Hall with the BSO under the direction of Marin Alsop. She has also performed with the Detroit Symphony and the Cincinnati Symphony. An active chamber musician and educator, she performs with the nationally recognized Ivy Street Ensemble throughout Colorado on various concert series and most importantly, at schools across the Front Range, bringing music to the next generation.
Her previous musical engagements include Principal Flutist with the Central City Opera, Principal Flutist with Emerald City Opera, and co-Principal flutist of the Strings Festival in Steamboat Springs, Colorado. Cathy is a regular performer at the Chintimini Chamber Music Festival in Corvallis, Oregon, and Front Range Chamber Players in Fort Collins, Colorado.
If you tune in to Colorado Public Radio, you will often hear Cathy broadcast with solo recordings as well as performances with the Ivy Street Ensemble.
She has a private studio of fantastic flute students of all ability levels, and is the flute coach for the Denver School of the Arts. She received a Master of Music from the University of Michigan, and a Bachelor of Music from the San Francisco Conservatory of Music. Her teachers include Jeff Zook, Leone Buyse, Tim Day, and Walfrid Kujala.
You can learn more about Catherine at milehighflutist.com.
JAS & YAS FacultyInstruments: Oboe, English Horn Education: M.M., Eastman School of Music; B.M., Oberlin Conservatory
Jason Lichtenwalter joined the Colorado Symphony as oboist/English hornist in 2002 and has held the same position with the Britt Festival Orchestra since 1998. Besides prior positions with the Dallas Opera Orchestra (Principal), Honolulu Symphony (2nd/Asst Principal, Acting English Horn), and East Texas Symphony (Principal), he has also performed with the Dallas, Fort Worth, and New World symphonies, the Naples and Boulder philharmonics, Colorado Music Festival Orchestra, and Colorado Bach Ensemble. As a featured soloist, he has appeared on oboe, oboe d’amore, and English horn. He currently serves as adjunct faculty at the University of Colorado Boulder and earned oboe performance degrees from the Oberlin Conservatory and Eastman School of Music, where he studied with James Caldwell and Richard Killmer. He has pursued post-graduate studies with Elaine Douvas, Robert Walters, Mark Ackerman, and David Matthews.
JAS & YAS FacultyInstruments: Clarinet Education: D.M.A., Indiana University – Bloomington; M.M., University of Illinois
David Shea currently serves as an Assistant Professor of Clarinet at Texas Tech University, and is also principal clarinet in the Abilene Philharmonic and Lubbock Symphony Orchestras. He has earned degrees from the Oberlin Conservatory (BM), the University of Illinois (MM) and Indiana University (DM). His teachers have been Howard Klug, Lawrence McDonald, Eli Eban, James Campbell and Ronald Phillips. Shea has performed as a soloist and chamber musician throughout the United States, France, Belgium, Germany, Austria, Brazil and Chile. As a member of Trio Montecino, he recently toured in Belgium, Germany, and the United States to promote the release of their second CD, Nuevo Sonido: Latin- American Trios, which is available on the Eroica Classical Recordings label. Shea has performed at the International Clarinet Association Clarinetfests in Chicago, Columbus, Salt Lake City, Atlanta and Kansas City, as well as the OU Clarinet Symposium, University of Montevallo Clarinet Symposium and most recently, at Klarinetstage, Belgium. Shea was a finalist in the Boosey and Hawkes North American Clarinet Competition and was a concerto competition winner at the Oberlin Conservatory and the Colorado Springs Summer Music Festival. In addition to his solo and chamber music performances, Shea has performed as an orchestral musician with the Indianapolis Symphony, Fort Wayne Symphony, Columbus Philharmonic, Champaign-Urbana Symphony and the Sinfonia de Camera. He has also been involved in numerous CD recording projects for Crystal, Naxos, Delos, Opus One, Indiana University Recordings and Hal Leonard Productions where he worked with such artists as Eugene Rousseau and the Indiana Clarinet Trio. As a teacher, Shea has given master classes throughout the US and South America. He has been invited twice to teach as a sabbatical replacement at the prestigious Jacobs School of Music at Indiana University. He has also participated in a Big 12 Fellowship grant with Dan Silver at CU-Boulder, where innovative teaching pedagogies were discussed and demonstrated during week-long residencies at both campuses. In 2005, Shea was awarded the Texas Tech University President’s Excellence in Teaching Award, and most recently, was inducted into the Texas Tech University Teaching Academy. David Shea is a Buffet-Crampon USA Performing Artist and is the Texas State Chair for the International Clarinet Association.
JAS & JMP Faculty, JAZZ Program DirectorInstruments: Saxophone Education: D.M.A., M.M., CU Boulder
An active recitalist and proponent of new music, saxophonist Grant Larson has premiered works for saxophone by Paul, Hanson, Philip Wharton, Chiayu Hsu, Steven Makala, and John Drumheller at regional and national conventions. He is the soprano saxophonist with the Colorado-based Chautauqua Saxophone Quartet and has performed with the Colorado Symphony Orchestra, the Colorado Music Festival Orchestra, the Chippewa Valley Symphony Orchestra, and the Fargo/Moorhead Symphony Orchestra. Grant currently serves as the Saxophone Practicing Artist at Denver School of the Arts, is the wind ensemble conductor for the Colorado Youth Symphony Orchestras, and serves on the faculty at Rocky Ridge Music Center.
Equally comfortable in both classical and jazz settings, Grant has performed on stage with notable artists such as Maria Schneider, Kurt Elling, Mulgrew Miller, Art Lande, Brad Goode, Johannes Weidenmueller, Peter Erskin, Ray Charles, Ignacio Berroa, and “Slammin” Sammy K. He recently produced a collaborative album (Ascent) of original jazz compositions with fellow musicians Greg Tanner Harris, Matt Fuller, Braun Khan, and Dave Hammond. He also has released two jazz albums of original compositions under the Dazzle Recordings label (Denver, CO). Grant holds a Doctor of Musical Arts degree in Saxophone Performance and Pedagogy from the University of Colorado at Boulder; a Master of Music from the University of Colorado; and a Bachelor of Music from Concordia College. Previously, he served on the faculty at the University of Wisconsin-Eau Claire, Concordia College, and the Boulder Arts Academy.
JAS & JMP FacultyInstruments: Trumpet Education: M.M., CU Boulder; B.M., University of Norther Colorado
A long-time resident of Colorado, Williams is a founding member of the Apollo Chamber Brass, a non-profit group dedicated to educational outreach and the continuing advancement of chamber music, and he is currently second/associate principal trumpet in the Wyoming Symphony. Recently, he performed as a guest artist at Sul Ross State University in Apline, TX and has presented master classes there and at Central Washington University in Ellensburg, WA. In 1999 Williams was a featured soloist with the University of Northern Colorado Symphonic Band, and he regularly performs with orchestras throughout Colorado, Cheyenne and New Mexico. An active private instructor and clinician, he has been teaching in the Loveland, Boulder and Denver areas for over a decade. He currently maintains a large private studio and lives in Littleton with his wife, son, and daughter.
JAS Faculty, JMP FacultyInstruments: Trombone, Euphonium, Tuba Education: M.M., Northwestern University; B.M., University of Denver
Daniel Watt, a native of Colorado, is an active freelance musician across the Front Range. Mr. Watt serves as principal trombonist with the Fort Collins Symphony, the Wyoming Symphony Orchestra, and the Steamboat Springs Orchestra, and is second trombonist with the Cheyenne Symphony.
Mr. Watt joined the faculty of the University of Wyoming in 2016 as instructor of trombone and euphonium, and maintains a private studio.
Mr. Watt received his Master’s of Music from Northwestern University where he studied with Michael Mulcahy and Peter Ellefson, and his Bachelor’s of Music from the University of Denver where he studied with Dr. Joseph Martin and Warren Deck.
JAS & JMP FacultyInstruments: Southwest String Quartet, Violin Education: M.M., New England Conservatory; B.M., Eastman School of Music
David Rife, a native of South Carolina, received a Bachelor of Music Degree in Violin Performance from the Eastman School of Music and a Master of Music Degree in Violin Performance from the New England Conservatory of Music. He has studied with Donald Weilerstein, Mazuko Ushioda, Jerry Lucktenburg, Dennis Bourret, and members of the Cleveland Quartet. David moved to Tucson in 1983 to join the Tucson Symphony Orchestra where he is presently the Assistant Concertmaster. He is a dedicated violin teacher and first violinist of the Tucson Symphony String Quartet and the Southwest String Quartet. The Southwest String Quartet is very active throughout the State of Arizona as performers and clinicians. In the summer of 2007 the quartet was invited to be the quartet in residence at the Kenai Peninsula Orchestra Festival. In 2005 David was awarded the teacher of the year of the state of Arizona by the American String Teachers Association. His students have won local and statewide competitions and are presently attending major music schools throughout the country.
JAS & JMP FacultyInstruments: Southwest String Quartet, Violin Education: M.M., New England Conservatory; B.M., Eastman School of Music
Wynne Wong-Rife has a multi-faceted career as a member of the Tucson Symphony Orchestra, The TSO String Quartet and the Southwest String Quartet. In addition, she teaches a large class of violin students, several of whom have placed in competitions and soloed with local orchestras. After studying with John Ferrell at The University of Arizona for one year, she transferred to the Eastman School of Music where she studied with Peter Salaff of the Cleveland Quartet, and was awarded a B.M. with Distinction in Violin Performance. At Eastman she met and became engaged to David Rife, and in 1981, both decided to attend New England Conservatory of Music. Wynne graduated from the New England Conservatory in 1983 with a M.M. in Violin Performance, and then returned to Tucson with David to marry and start a family. Wynne and David have two daughters, Melissa and Molly (both ‘cellists) and four cats. In addition to teaching and performing, Wynne also enjoys photography, knitting and Starbucks (not necessarily in that order).
JAS & JMP Program DirectorInstruments: Composition, Southwest String Quartet, Viola Education: M.M.A., Yale; B.M., Manhattan School of Music
Ilona Vukovic-Gay pursues a career as a composer and a performing musician. In the Tucson Symphony Orchestra she is the Young Composer’s Project Instructor, the Assistant Principal Viola and the violist in the TSO String Quartet. She is also on the Arizona Commission on the Arts roster as the violist in the Southwest String Quartet. She has a Bachelor of Violin Performance from Manhattan School of Music and a Masters of Musical Arts in Viola and Composition from Yale University. She studied the violin with Rafael Bronstein, viola with Walter Trampler and composition with James Drew and Yehudi Wyner. She was awarded a Fulbright Grant for further study in London. Ilona’s compositions include a series of musical dramatizations of Susan Lowell’s children’s books such as the “Three Little Javelinas.” These compositions feature the TSO string quartet performing as soloists with the orchestra. Every year one of these musical stories is the main composition on the TSO’s week long KinderKonzert series. In addition to the Young Composer’s Project, Ilona is actively involved as a music
educator in Tucson. She has created a class of Kinder Komposition for the very young student, been an instructor in Tucson’s “Opening Minds through the Arts” program and taught creative composition classes in Arizona residencies. She teaches and performs at over thirty schools in the Tucson area each year. Previously she had been on the New College (Sarasota, Florida) faculty teaching music theory and composition. Her other compositions have been performed in the United States and Europe, with a premiere of her composition “Mladost” at London’s Wigmore Hall. Ilona has been the Tucson Symphony Orchestra Young Composer’s Project instructor for the past eight years. The class is a living laboratory of music composition that has several hundred alumni. Many have continued as composition majors at the college level and have been winners and finalists in the Morton Gould ASCAP Foundation awards. The Young Composer’s Project is a unique and nationally recognized program that has been a recipient of the National Endowment for the Arts grant for the last four years and was lauded last year by cellist YoYo Ma.
Mary Beth Tyndall
JAS & JMP FacultyInstruments: Cello, Southwest String Quartet Education: M.M., University of Arizona; B.M., B.M.E., Ball State University
Mary Beth Tyndall is a cellist in the Tucson Symphony Orchestra and performs in the symphony’s string quartet. She is also on the Arizona Commission on the Arts roster as a member of the Southwest String Quartet. As a chamber musician she has performed a wide variety of string quartet works from the classical to contemporary periods. She is also actively involved in educational programming and performances for young people. She is known for her portrayals of the more outrageous characters in the children’s books of Susan Lowell (such as Josefina Javelina), which the quartet dramatizes annually as soloists in the Tucson Symphony Kinderkoncerts series. The chamber music festival created by the Southwest String Quartet is a two week workshop in Tucson for middle and high school students. Mary Beth is one of the original founders of this festival and is the primary cello coach and orchestra conductor. She has also taught at the Chamber Music in the Mountains camp on Mt. Lemmon, Arizona, the Northern Arizona University Summer Music Camp in Flagstaff, Arizona, the Tucson Cello Congress, the Valley of the Sun Suzuki Workshop in Phoenix, Arizona, and the Kenai Peninsula Orchestra Summer Festival in Alaska. She is frequently a sectional coach for Tucson adult amateur orchestras and youth orchestras. In 2016, she was named Outstanding Studio Teacher by the American String Teachers Association. Mary Beth has a Bachelor’s degree in Cello Performance and Music Education from Ball State University and a Master’s Degree in Cello Performance from the University of Arizona. She has studied with Joseph Saunders, Gordon Epperson, Claus Adam, Martha Gerschefski and Hans Jorgen Jensen. She maintains a large studio of cello students of all ages and levels! Many of her students have performed as soloists with local orchestras and are continuing their studies in music conservatories around the country. As a performer and teacher her philosophy is one of joy, self-expression and personal growth through music.
JAS & JMP FacultyInstruments: Orchestra Conductor, Double Bass Education: M.M., University of Arizona; B.M.E., Indiana University – Bloomington
Originally from Detroit, Michigan, Ken Marrs began studying the double bass with Derek Weller and Stuart Sankey. He received a bachelor’s of music education in choral and instrumental music from Indiana University where he studied bass with Bruce Bransby and Lawrence Hurst. Ken has performed with the Ann Arbor, Flint, Saginaw Bay, Toledo, and Tucson Symphony Orchestras as well as the Arizona Opera Company and Tucson Chamber Artists, where he also has performed as a vocalist. He received his master’s in choral conducting under Maurice Skones at the University of Arizona. Ken has taught music and performed with orchestras on four continents. He played electric bass in a 13 piece band that accompanied the Artifact Dance Ensemble’s tour of China. Ken has taught orchestra, choir, concert band, jazz band, music discovery and guitar at the elementary, middle and high school levels. He has directed youth, adult, church and community choirs in Michigan, Indiana and Arizona. The orchestras at Sahuaro High School where he has taught for the last decade have received high ratings (Superior with Distinction) at state festivals and competitions. His ensembles travel for clinics with university professors from throughout the southwest annually. His students have won competitions and played with local orchestras. Ken enjoys hiking, biking, swimming, yoga, camping, and the outdoors.
JAS & JMP FacultyInstruments: Collaborative Piano Education: M.M., East Carolina University; B.M., SUNY Fredonia
James Welch serves on the faculty at the State University of New York at Fredonia as a collaborative pianist and instructor of class piano. He has accompanied for students and faculty on various instrumental juries and recitals, the accompanying and vocal coaching of the mainstage musicals, and various master classes. International experiences have included the Lyric Arts performing ensembles’ tour of the Marche region of Italy in collaboration with the Postacchini String Quartet, and master classes at the Conservatorio G.B. Pergolesi (Fermo, Italy) with Tenor, Giuseppe Sabatini. During the summer seasons James has served on the faculties for the Interlochen Summer Arts Camp (Interlochen, MI), The New York State Summer School of the Arts Choral Program (Fredonia, NY) and the Rocky Ridge Music Center (Estes Park, CO), as an accompanist for instrumentalists and vocalists on repertoire including art songs, opera, musical theater, choral, jazz, pop, and instrumental. As a soloist, James was a Second Prize winner of the 2007 Bradshaw and Bouno International Piano Competition (New York, NY), and has appeared in master classes and performed at SUNY Fredonia (Fredonia, NY), SUNY Buffalo (Buffalo, NY), East Carolina University (Greenville, NC), Morgan State University (Baltimore, MD), Portland, Oregon, and Ambialet, France. James holds a Master of Music degree in Piano Performance from East Carolina University and a Bachelor of Music degree in Piano Performance and a Performer’s Certificate from SUNY Fredonia. He has spent the past two summers studying piano with Paul Roberts from the Guildhall School of Music and Drama, at his summer festival in Ambialet, France.
JAS FacultyInstruments: Choir, Voice Education: B.M.E., University of Arizona
Derek Granger is the Director of Choirs at Flowing Wells High School in Tucson, Arizona. Under his direction, the Flowing Wells Choirs have maintained an active presence in the community, have earned numerous superior ratings at state and local festivals, and were invited to perform with the University of Arizona Community Chorus (2015) and the Tucson Symphony Orchestra (2016). Past teaching experience includes teaching vocal jazz with Christian Youth Theatre of Tucson and beginning band with Basis Charter Schools.
A native of Las Vegas, Nevada, Derek graduated from the University of Arizona Fred Fox School of Music in 2011 with degrees in Music Education and Saxophone Performance. Summer studies have included choral conducting institutes at Westminster Choir College and the Eastman School of Music.
Active in the Tucson arts community, Derek is a member the Presidio Saxophone Quartet and regularly performs with Arizona Repertory Theatre, Artifact Dance Company, and The Rogue Theater. Derek will begin his MM graduate studies at Indiana University in the fall of 2017, where he will hold the position of Associate Instructor of saxophone.
JAS FacultyInstruments: Piano
David Korevaar, whose playing has been called a “musical epiphany” by Gramophone Magazine, performs an extensive repertoire as a soloist and chamber musician around the US and internationally. In addition to his teaching at the University of Colorado Boulder, where he holds the Peter and Helen Weil fellowship in piano and where he has been named Distinguished Research Lecturer (2016), he is an active performer and recording artist. In the spring of 2016, Korevaar spent two weeks teaching in Kabul at the Afghanistan National Institute of Music (ANIM). The 2016-2017 season also included two tours to Brazil and a recital and master classes in Mexico City. In Fall 2017, he conducted and performed two of Mozart’s piano concertos in Boulder, bringing home a skill picked up in Japan and Brazil over the last several years. Korevaar’s extensive discography includes numerous solo and chamber music recordings, most recently a recording of Lowell Liebermann’s Piano Music since 2000 and a world premiere recording of piano music by the early twentieth-century Italian composer Luigi Perrachio. Other recent releases include a disc of chamber works by Tibor Harsányi with Charles Wetherbee (Naxos), and a Chopin recital on MSR, Hindemith’s three Piano Sonatas and Suite “1922” (MSR) and two Schubert Sonatas (MSR). In addition, his collaboration with members of the Takacs Quartet has resulted in a number of releases, including a disc of Brahms with violist Geraldine Walther and cellist Andras Fejer (MSR), two Beethoven Violin Sonatas with violinist Edward Dusinberre (Decca), and Hindemith’s music for Viola and Piano with Geraldine Walther (MSR). Korevaar also writes on various musical topics, with a focus on French music.
JAS FacultyInstruments: Clarinet, Flute, Jazz, Oboe, Saxophone Education: DMA - Saxophone Performance & Pedagogy - University of Colorado, Boulder
MM - Saxophone Performance - Sydney Conservatorium of Music - Australia
BME - Simpson College
Paul Zaborac is a versatile saxophonist, composer, and educator. Well versed in both classical and jazz saxophone, he has performed throughout the U.S. and internationally in Costa Rica, China, Hong Kong, and Australia. In addition to actively presenting solo recitals and at national and regional conferences, Paul has performed with the Colorado Music Festival Orchestra, the Breckenridge Music Festival Orchestra, the National Repertory Orchestra, and the Longmont Symphony Orchestra. He regularly leads jazz groups performing his original music and has released two albums: Actualize and Paul Zaborac Quartet: Live. He has appeared at the Monterey Next Generation Jazz Festival and has had the opportunity to share the stage with notable jazz artists such as Rufus Reid, Tia Fuller, John Von Ohlen, Stan Sulzman, Greg Gisbert, Ernie Watts, and others.
Paul holds a Doctor of Musical Arts degree in Saxophone Performance and Pedagogy from the University of Colorado Boulder, a Master of Music in Saxophone Performance from the Sydney Conservatorium of Music in Australia, and a Bachelor of Music Education from Simpson College. He has served as the saxophone faculty for the CU department of continuing education and as an interim professor of saxophone at the University of Denver Lamont School of Music.
8:00am: Composition Class 1/Practice/Lessons
9:00am: Composition Class 2/Practice/Lessons
10:00am: Chamber Rehearsal
11:00am: Wind Ensemble/Strings Tech/Practice/Lessons
12:45pm: Orchestra (Piano & Voice group class)
4:30pm: Elective Class
7:15pm: Performance Class
9:15pm: Return to Cabins
Junior Artist Seminar applicants must submit an audition recording along with their application for admission. Audition should consist of two contrasting pieces or movements that best represent the applicant’s level and accomplishment. Please submit video recording, audio-only recordings will not be accepted. Supported video file types are avi, m4v, mov, mp4, mpeg, mpg, vob, wmv, mkv. There is also the option to copy YouTube links into the application instead of uploading files.
All recordings must be uploaded as part of the online application.