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Andrew Campbell
Collaborative Piano

Andrew Campbell

Collaborative Piano Chair, College Intensive Piano Faculty
Instruments: Collaborative Piano Education: D.M.A., University of Michigan; M.M., Indiana University; B.M. Oberlin College

Andrew Campbell has established himself as one of the most versatile collaborative pianists in the United States with a performing career that has taken him to six continents. Recent appearances include a South African concert tour, highlighted by a recital at the Johannesburg International Mozart Festival; a performance of Bach’s keyboard concerto in d minor with the Chintimini Festival Chamber Orchestra; performances at the Miklin Festival Internacional in Bogotá, Columbia; and the world premier of Damian Montano’s Disappearing Moon at the 2017 International Double Reed Society Conference. He has collaborated in recitals with such diverse artists as violinist Chee-Yun, double bassist Catalin Rotaru, flutist Thomas Robertello, bassoonist Judith LeClair, trombonist Charles Vernon, saxophonist Timothy McAllister, composer Bright Sheng, and tenor Anthony Dean Griffey. He served as opera rehearsal pianist for distinguished conductors André Previn, Plácido Domingo and Heinz Fricke, and worked closely with the composer Carlisle Floyd on several productions of his operas. Chamber music performances have taken him to important venues including Weill Recital Hall at Carnegie Hall, where The Strad and Strings magazines both hailed his performance as “excellent.” His partnership with violinist Katherine McLin in the McLin/Campbell Duo has led to performances on numerous recital series throughout the United States and Europe. He has recorded several CDs on the Summit and Centaur labels, and his performance of the Rachmaninoff cello sonata with bassist Catalin Rotaru was cited for special praise by Bass World and XBass, two leading international journals. He has appeared as collaborative pianist at numerous international conferences, including the National Flute Association Convention, MTNA, the Society for American Music, the International Viola Congress, and multiple appearances at the International Double Reed Society, for which he has served as official pianist. Dr. Campbell received the Doctorate in Piano Chamber Music and Accompanying from the University of Michigan where he studied with the renowned collaborative artist Martin Katz.

Dr. Campbell is currently Director of the Collaborative Piano Program and Associate Director for Graduate Studies at the Arizona State University School of Music. He recently completed his 8th season as Assistant Director and Director of Chamber Music for the Saarburg Serenaden Music Festival (Germany) and the Vianden International Music Festival (Luxembourg), performing annually on their faculty recitals in collaboration with colleagues from the United States, Europe and the Asia. Previous positions include Director of the Collaborative Piano Program at the Brevard Music Center, music staff for both the Washington National Opera and San Diego Opera, and Music Director and Pianist for the San Diego Opera Ensemble.

Bob Nesbit

Bob Nesbit

Property Manager
Instruments:
Claudia Anderson
Flute

Claudia Anderson

Wind Chair, College Intensive Flute Faculty
Instruments: Flute Education: D.M.A., University of Iowa; M.M., University of Massachusetts

Claudia Anderson is known for her originality and brilliance as a solo and chamber music performer across the U.S. She is a founding member of the innovative flute duo ZAWA! and of New Prairie Camerata, a chamber initiative that showcases a community’s historical and architectural gems through performance and stimulates community participation. A Fulbright scholar to Italy, Ms. Anderson was subsequently principal flute of the Orchestra del Teatro Massimo in Palermo. She is presently principal flute with the Waterloo/Cedar Falls Symphony in Iowa, a guest artist and clinician at many colleges and music series around the country, and on the faculty of Grinnell College. She serves also as flute faculty and program director during the summers at Rocky Ridge Music (www.rockyridge.org). Equally at home in both the standard and contemporary repertoire, Dr. Anderson has commissioned and arranged works for solo and duo format and has moved into composition more recently. Writing about artistry in flute playing and chamber music as community is a current passion, as well as riding her Triumph Bonneville motorcycle. Other faculty positions have included the Universities of Iowa and Northern Iowa, Ithaca College, and the University of California at Santa Barbara. National Flute Association positions have included Coordinator for the Chamber Music Competition and adjudicator for HS Soloist, Young Artist, and Convention Performers Competitions. Claudia’s artistic and pedagogical inspiration came from the following great artists who were her teachers: Severino Gazzelloni, Thomas Nyfenger, Geoffrey Gilbert, William Bennett, and Peter Lloyd. Her recorded solo and duo performances can be found on the Centaur, Neuma and CRI labels. Her solo CD, American Flute (Centaur, 1994), was awarded five stars from Classical Pulse. Duo CDs include ZAWA! (Neuma, 2001), ZAWA2 (ZawaMusic, 2006) and Duos for Flute and Oboe (Centaur, 2005).

David Shea
Clarinet

David Shea

Dean of Student Affairs, College Intensive Clarinet Faculty
Instruments: Clarinet Education: D.M.A., Indiana University – Bloomington; M.M., University of Illinois

David Shea currently serves as an Assistant Professor of Clarinet at Texas Tech University, and is also principal clarinet in the Abilene Philharmonic and Lubbock Symphony Orchestras. He has earned degrees from the Oberlin Conservatory (BM), the University of Illinois (MM) and Indiana University (DM). His teachers have been Howard Klug, Lawrence McDonald, Eli Eban, James Campbell and Ronald Phillips. Shea has performed as a soloist and chamber musician throughout the United States, France, Belgium, Germany, Austria, Brazil and Chile. As a member of Trio Montecino, he recently toured in Belgium, Germany, and the United States to promote the release of their second CD, Nuevo Sonido: Latin- American Trios, which is available on the Eroica Classical Recordings label. Shea has performed at the International Clarinet Association Clarinetfests in Chicago, Columbus, Salt Lake City, Atlanta and Kansas City, as well as the OU Clarinet Symposium, University of Montevallo Clarinet Symposium and most recently, at Klarinetstage, Belgium.

Shea was a finalist in the Boosey and Hawkes North American Clarinet Competition and was a concerto competition winner at the Oberlin Conservatory and the Colorado Springs Summer Music Festival. In addition to his solo and chamber music performances, Shea has performed as an orchestral musician with the Indianapolis Symphony, Fort Wayne Symphony, Columbus Philharmonic, Champaign-Urbana Symphony and the Sinfonia de Camera. He has also been involved in numerous CD recording projects for Crystal, Naxos, Delos, Opus One, Indiana University Recordings and Hal Leonard Productions where he worked with such artists as Eugene Rousseau and the Indiana Clarinet Trio. As a teacher, Shea has given master classes throughout the US and South America.  He has been invited twice to teach as a sabbatical replacement at the prestigious Jacobs School of Music at Indiana University.  He has also participated in a Big 12 Fellowship grant with Dan Silver at CU-Boulder, where innovative teaching pedagogies were discussed and demonstrated during week-long residencies at both campuses.  In 2005, Shea was awarded the Texas Tech University President’s Excellence in Teaching Award, and most recently, was inducted into the Texas Tech University Teaching Academy. David Shea is a Buffet-Crampon USA Performing Artist and is the Texas State Chair for the International Clarinet Association.

Grant Larson
Saxophone

Grant Larson

Jazz Program Director
Instruments: Saxophone Education: D.M.A., M.M., CU Boulder

An active recitalist and proponent of new music, saxophonist Grant Larson has premiered works for saxophone by Paul, Hanson, Philip Wharton, Chiayu Hsu, Steven Makala, and John Drumheller at regional and national conventions. He is the soprano saxophonist with the Colorado-based Chautauqua Saxophone Quartet and has performed with the Colorado Symphony Orchestra, the Colorado Music Festival Orchestra, the Chippewa Valley Symphony Orchestra, and the Fargo/Moorhead Symphony Orchestra. Grant currently serves as the Saxophone Practicing Artist at Denver School of the Arts, is the wind ensemble conductor for the Colorado Youth Symphony Orchestras, and serves on the faculty at Rocky Ridge Music Center.

Equally comfortable in both classical and jazz settings, Grant has performed on stage with notable artists such as Maria Schneider, Kurt Elling, Mulgrew Miller, Art Lande, Brad Goode, Johannes Weidenmueller, Peter Erskin, Ray Charles, Ignacio Berroa, and “Slammin” Sammy K. He recently produced a collaborative album (Ascent) of original jazz compositions with fellow musicians Greg Tanner Harris, Matt Fuller, Braun Khan, and Dave Hammond. He also has released two jazz albums of original compositions under the Dazzle Recordings label (Denver, CO). Grant holds a Doctor of Musical Arts degree in Saxophone Performance and Pedagogy from the University of Colorado at Boulder; a Master of Music from the University of Colorado; and a Bachelor of Music from Concordia College. Previously, he served on the faculty at the University of Wisconsin-Eau Claire, Concordia College, and the Boulder Arts Academy.

John Dilts

John Dilts

Director of Strategic Initiatives
Instruments: Education: B.A., University of Colorado, M.A., University of Chicago

As Director of Strategic Initiatives, John works to develop programs and partnerships that take Rocky Ridge in exciting new directions and help build long-term sustainability. Prior to joining RRMC, he spent over fifteen years as a researcher at Chapin Hall at the University of Chicago, where he worked on projects partnering with federal, state, and local government to improve child well-being through effective social services. During this period, he studied classical guitar with Brian Torosian at DePaul University and music theory with Gerald Rizzer at the Sherwood Conservatory. Deeply interested in the development of human potential through the arts, John also worked as program director at the Children’s Center for Arts and Learning in Denver, managing arts enrichment and academic tutoring services for elementary school students. He teaches group guitar classes for Rocky Ridge’s after-school enrichment programming.

Madison Casey

Madison Casey

Accountant
Instruments:
Mary Beth Tyndall
Cello

Mary Beth Tyndall

Youth Program Director, Junior Artist Immersion and Jumpstart Cello Faculty
Instruments: Cello Education: M.M., University of Arizona; B.M., B.M.E., Ball State University

Mary Beth Tyndall is a cellist in the Tucson Symphony Orchestra and performs in the symphony’s string quartet. She is also on the Arizona Commission on the Arts roster as a member of the Southwest String Quartet. As a chamber musician she has performed a wide variety of string quartet works from the classical to contemporary periods. She is also actively involved in educational programming and performances for young people. She is known for her portrayals of the more outrageous characters in the children’s books of Susan Lowell (such as Josefina Javelina), which the quartet dramatizes annually as soloists in the Tucson Symphony Kinderkoncerts series. The chamber music festival created by the Southwest String Quartet is a two week workshop in Tucson for middle and high school students. Mary Beth is one of the original founders of this festival and is the primary cello coach and orchestra conductor. She has also taught at the Chamber Music in the Mountains camp on Mt. Lemmon, Arizona, the Northern Arizona University Summer Music Camp in Flagstaff, Arizona, the Tucson Cello Congress, the Valley of the Sun Suzuki Workshop in Phoenix, Arizona, and the Kenai Peninsula Orchestra Summer Festival in Alaska. She is frequently a sectional coach for Tucson adult amateur orchestras and youth orchestras. In 2016, she was named Outstanding Studio Teacher by the American String Teachers Association.

Mary Beth has a Bachelor’s degree in Cello Performance and Music Education from Ball State University and a Master’s Degree in Cello Performance from the University of Arizona. She has studied with Joseph Saunders, Gordon Epperson, Claus Adam, Martha Gerschefski and Hans Jorgen Jensen. She maintains a large studio of cello students of all ages and levels! Many of her students have performed as soloists with local orchestras and are continuing their studies in music conservatories around the country.  As a performer and teacher her philosophy is one of joy, self-expression and personal growth through music.

Megan Quilliam

Megan Quilliam

Assistant Director
Instruments: Education: BM in Musicology - University of Sydney in Australia
Graduate Certificate in Arts Administration - CU Boulder
PhD in Ethnomusicology - CU Boulder (ABD Status)
Megan Quilliam is excited to begin as Assistant Director at Rocky Ridge! Originally from Johannesburg, South Africa, Megan has enjoyed listening to and making music her entire life. Megan holds a Bachelor of Music with Honors in Musicology from the University of Sydney in Australia. She recently completed the Graduate Certificate in Arts Administration at the University of Colorado Boulder where she is also finishing a PhD in Ethnomusicology. Her doctoral research is concentrated on opera and musical theater in South Africa. As a member of CU’s World Music Choir, Megan has performed on stage with famed South African musician Johnny Clegg and has opened for South African choir Ladysmith Black Mambazo. In her capacity as a graduate instructor at CU, Megan has taught several undergraduate music courses including Music Appreciation, World Music, and American Film Musicals. In her spare time, Megan enjoys watching musicals and playing the piano, harp, ukulele, and mandolin.
Si-Yan Darren Li
Cello

Si-Yan Darren Li

String Chair, College Intensive Cello Faculty
Instruments: Cello Education: Artist Diploma, M.M., Peabody Conservatory; B.M., Juilliard

Cellist Si-Yan Darren Li made his professional debut at the age of 9 and has since gone on to an international career as a recitalist, chamber musician and teacher. He has appeared in solo and chamber music performances at Carnegie Hall’s Stern Auditorium, Weill Recital Hall, Alice Tully Hall, Merkin Hall, 92nd Street Y, Kennedy Center, Victoria Concert Hall in Singapore, Izumi Hall in Osaka, Suntory Hall in Tokyo and National Concert Hall in Taipei. Li has also performed in many renowned music festivals, including the Ravinia Festival, Kronberg Academy Cello Festival and Verbier Festival. An active chamber musician, he has collaborated with such esteemed artists as Emanuel Ax, Miriam Fried, Ilya Kaler, Lang Lang, Cho-Liang Lin, Thomas Quasthoff, Alexander Toradze and members of the Juilliard, Takács, Cleveland, Casals and Ébène quartets. His recording of the Bartók string quartets with the Euclid Quartet was highly praised by Gramophone magazine and American Recording Guide.

Having previously taught at Indiana University and University of Central Florida, Li joined the faculty of the Cleveland Institute of Music in 2017. As a dedicated pedagogue, his student ensembles have won top prizes in major international and national competitions, including the Banff International String Quartet Competition, Bordeaux International String Quartet Competition, Melbourne International Chamber Music Competition, Wigmore Hall International String Quartet Competition, Fischoff Chamber Music Competition and Coltman Chamber Music Competition.

Li holds a Bachelor of Music degree from The Juilliard School and a Master of Music and Artist Diploma from the Peabody Institute. In addition to Orlando Cole, his principal teachers include Fred Sherry, Harvey Shapiro, Alan Stepansky and David Hardy. Li is a prizewinner in numerous prestigious competitions, including the Tchaikovsky International Competition in Moscow and Young Concert Artists International Auditions in New York. He is also a recipient of the American Masterpieces grant from the National Endowment for the Arts. Li plays a 1773 cello by Giovanni Battista Guadagnini, generously on loan from the private collection of Mr. and Mrs. Rin Kei-Mei.

SoYoung Lee
Piano

SoYoung Lee

Executive and Artistic Director
Instruments: Piano Education: D.M.A., University of California – Santa Barbara; M.M., University of Southern California

SoYoung Lee, Executive/Music Director at Rocky Ridge Music Center, received her Doctorate in Musical Arts in Piano Performance from the University of California, Santa Barbara. She has held director positions at Baldwin-Wallace College Conservatory Adult Education & Preparatory Department, Millikin University Preparatory Division, and the Boulder Arts Academy & Boulder Ballet. A strong believer in the concept of artist as entrepreneur, she cofounded two organizations: Colorado-based AirTurn, a company dedicated to empowering musicians through technology; and Notes at 9,000 at Winter Park, a multi-genre music competition that launches emerging musicians by providing concert opportunities, funding, and mentoring. She is passionate about building community through the arts, and serves currently as a trustee on the board of Boulder County Arts Alliance and as a member of the Estes Arts Presents Task Force.

An award-winning pianist and a Regents scholar, SoYoung is a recipient of the Ernő Dohnányi Piano Prize and the Gwendolyn Koldofsky Accompanying Fellowship at University of Southern California. She recently released a CD, In This World, with flutist Claudia Anderson. Equally at home as a teacher, she served on the music faculty at Millikin University and State University of New York, Fredonia, and was a visiting Piano Pedagogy faculty at the University of Colorado, Boulder. SoYoung enjoys her multi-faceted career as a performing artist, administrator, teacher, producer, and arts advocate.

Alexander Shuhan
Horn (Session Two)

Alexander Shuhan

College Intensive Session Two Horn Faculty
Instruments: Horn (Session Two) Education: Southern Methodist University
Eastman School of Music
Pre-College Division of the Juilliard School

Alexander Shuhan, Professor of Horn, joined the Ithaca College faculty in 1998. He is the principal horn of the Binghamton Philharmonic Orchestra and the Fort Smith (AR) Symphony Orchestra and was principal horn of the Cayuga Chamber Orchestra from 2000–2010. His group, the Shuhan-Luk Trio, has performed music for flute, horn and piano in concerts throughout the U.S. and has been featured at International Horn Symposium and National Flute Association conventions. He has taught on the faculty of the Sewanee Summer Music Festival, the Ithaca College Summer Music Academy and served as Valade Instructor of Horn at the Interlochen Summer Arts Camp. He performs frequently with the Rochester Philharmonic Orchestra and has played with the Syracuse Symphony Orchestra, the Skaneateles Chamber Music Festival and the Northeast Pennsylvania Philharmonic. As a founding member (1993), hornist, pianist and composer of Rhythm & Brass, he has performed extensively throughout the United States, Canada, Japan and the Middle East.

 

He was a member of Dallas Brass from 1985–1993. As a member of Rhythm & Brass and Dallas Brass, he has appeared as soloist with numerous U.S. symphony orchestras, including those in Dallas, Detroit, Milwaukee, Rochester, Syracuse, Tucson, Phoenix, Jacksonville, Oregon, Denver and Grand Rapids. He studied at Southern Methodist University with Greg Hustis, the Eastman School of Music with Verne Reynolds, and the Pre-College Division of the Juilliard School with Harry Berv. Other teachers include Marvin Howe, Nancy Cochran, John Jacobsen and Henry Babcock. Shuhan has recently completed Book One and Book Two training in the Suzuki Horn method.

John McGuire
Horn (Session One)

John McGuire

College Intensive Session One Horn Faculty
Instruments: Horn (Session One) Education: D.M.A., B.M., University of Alabama; M.M. Florida State University; Performer's Certificate, Roosevelt University

Dr. John McGuire has a vast array of performance and teaching experiences. He has performed with many orchestras around the country, most notably the Dallas Symphony Orchestra, the Dallas Opera, the Fort Worth Symphony, the New World Symphony in Miami, FL, the Civic Orchestra of Chicago, the Illinois Symphony Orchestra, and the Florida West Coast Symphony.

As a soloist he was awarded the title Yamaha Young Artist, has been a finalist in the American Horn Competition, won several regional solo competitions and has appeared as a guest artist at many workshops, festivals and schools across the United States. With several world-premiere performances to his credit, John is a passionate proponent for the creation of new solo horn literature as well as a sought-after contemporary music performer.

Prior to serving on the faculty of CSU, John served as adjunct instructor of Horn at the University of Alabama, Mississippi State University, Appalachian State University, Texas Women’s University, the Music Institute of Chicago, and Florida A&M University. In addition, John maintained a private studio of over fifty students in the Dallas/Fort Worth area public school systems for many years where he was also a prominent clinician and adjudicator. Today, many of John’s former students have moved into successful careers as music educators in reputable school systems and have attained positions as orchestral performers in premier ensembles such as the Detroit Symphony Orchestra.

John received his D.M.A. and B.M. in Music Performance from the University of Alabama, his M.M. in Performance from Florida State University, and a Performer’s Certificate from the Chicago College of Performing Arts at Roosevelt University in Chicago. His major professors were Charles Skip Snead, William Capps, and Dale Clevenger.